Discussion:
Can 'diaper' be ignored?
(too old to reply)
Rock Vacirca
2014-08-06 14:19:03 UTC
Permalink
My first post:

I am currently trying to identify the 19 coats of arms in the church windows of Ellerton on Derwent in the East Riding, noted during the Visitation of 1584. The arms are tricked in Harl. Ms 1394, and blazoned in Foster's edition of the Visitation of Yorkshire 1584/5 by Robert Glover.

Two of the blazons caught my eye:

Argent, diapré, on a chief sable 2 mullets of six points pierced or. "Very ould"
Argent, on a chief sable 2 mullets of 6 points pierced or.

Am I right in thinking that these two arms are essentially identical, and that the diaper of the first has no heraldic significance, merely recording in glass what was seen in cloth?

Can 'diaper' be generally ignored in blazons for the purposes of identification of the owner?

Thanks
Tim Powys-Lybbe
2014-08-06 19:13:36 UTC
Permalink
Post by Rock Vacirca
I am currently trying to identify the 19 coats of arms in the church
windows of Ellerton on Derwent in the East Riding, noted during the
Visitation of 1584. The arms are tricked in Harl. Ms 1394, and
blazoned in Foster's edition of the Visitation of Yorkshire 1584/5 by
Robert Glover.
Argent, diapré, on a chief sable 2 mullets of six points pierced or.
"Very ould" Argent, on a chief sable 2 mullets of 6 points pierced or.
Am I right in thinking that these two arms are essentially identical,
and that the diaper of the first has no heraldic significance, merely
recording in glass what was seen in cloth?
Can 'diaper' be generally ignored in blazons for the purposes of
identification of the owner?
Thanks
I got this from Parker's "Glossary of Terms used in Heraldry"
<http://www.heraldsnet.org/saitou/parker/Jpglossa.htm>:

Diapered,
--------
(fr. diapré): an ancient mode of relieving the plain tinctures of fields
and charges by arabesque and other patterns, generally of a darker shade
of the same colour, and left to the fancy of the painter or sculptor.
Some species of diapering have been mistaken for fretty, as that on the
tomb of Robert DE VERE, in the church of Hatfield-Broad-Oak, Essex. At
the same time it appears to have been recognised as a mode of tincture,
as in the following:--
Le Counte CHAUMPAINE, d'azur a une bende d'argent a custeres d'or
diasprez--Roll, temp. HEN. III., Harl. MS. 6589.
Le Counte DEL ILLE, de goules a treis barres dor diasprez--Ibid.
What is meant by diapers in the following arms as thus blazoned in
Burke is not clear. Papworth suggests didapper, an aquatic bird.
Argent, on a chevron gules between three diapers azure, a crescent
or charged with a mullet sable--BREDNELL, London.
--
Tim Powys-Lybbe ***@powys.org
for a miscellany of bygones: http://powys.org/
o***@gmail.com
2014-08-06 21:32:39 UTC
Permalink
Basically; yes, like shield shape, the shades of tinctures, etc. etc. diapering is just artistic license on the part of the particular artist.
Peter Howarth
2014-08-18 20:55:58 UTC
Permalink
In modern (i.e. post-mediaeval) heraldry, diapering is not considered to be a separate tincture. But it may well have been separate in very early heraldry.

It would seem that for a short while, particularly in northern France, precious fabrics, or 'pannes', were applied to shields, in the same way as furs were applied. But the fashion did not last for long, perhaps because they were not easily recognisable at a distance.

There are three examples from English rolls. Glover's Roll (c.1253) B 47 has an entry for 'Philip Marmyon de veer od la fesse de paile'. Birch 11622 describes a seal of his from 1265, where 'the diapering of the fess is well shown'. Gerald J Brault, 'Early Blazon' (1997) p 252, gives the original meaning of OFr paile as 'rich, ornamental cloth'. Later representations of the arms replace the paile with 'gules fretty or', the nearest that later heralds could get to the original cloth.

Walford's Roll (c.1275) C 146 has 'Le Counte del Ille de goules a treis barres d'or diaspres'. Brault (p. 170) says that OFr diaspre was a kind of precious cloth ornamented with flowers or arabesques. It has been suggested that this entry refers to Baldwin de Reviers (d.1262), the last Earl of Devon and lord of the Isle (of Wight). However, Walford's Roll has many foreign arms and, since diaspré is found more often in France, it may be a French coat of arms.

Walford's Roll (c.1275) C 42 has 'Le Counte Chaumpaine d'azur a une bende d'argent a custeces d'or diasprez'. Later on the cotices became decorated as potent-counterpotent.

For a full discussion of these entries see Hugh Stanford London, 'Glover's and Walford's Rolls' (1967) Appendix I 'Marmion' pp 160-163, and Appendix II, 'Diaper and the Arms of Champagne' pp 164-166 in 'Aspilogia II: Rolls of Arms Henry III', ed. Sir Anthony Wagner, London: The Harleian Society, 1967.

Peter Howarth
portingal
2014-10-30 09:09:31 UTC
Permalink
Post by Tim Powys-Lybbe
Post by Rock Vacirca
I am currently trying to identify the 19 coats of arms in the church
windows of Ellerton on Derwent in the East Riding, noted during the
Visitation of 1584. The arms are tricked in Harl. Ms 1394, and
blazoned in Foster's edition of the Visitation of Yorkshire 1584/5 by
Robert Glover.
Argent, diapr�, on a chief sable 2 mullets of six points pierced or.
"Very ould" Argent, on a chief sable 2 mullets of 6 points pierced or.
Am I right in thinking that these two arms are essentially identical,
and that the diaper of the first has no heraldic significance, merely
recording in glass what was seen in cloth?
Can 'diaper' be generally ignored in blazons for the purposes of
identification of the owner?
Thanks
I got this from Parker's "Glossary of Terms used in Heraldry"
Diapered,
--------
(fr. diapr�): an ancient mode of relieving the plain tinctures of fields
and charges by arabesque and other patterns, generally of a darker shade
of the same colour, and left to the fancy of the painter or sculptor.
Some species of diapering have been mistaken for fretty, as that on the
tomb of Robert DE VERE, in the church of Hatfield-Broad-Oak, Essex. At
the same time it appears to have been recognised as a mode of tincture,
as in the following:--
Le Counte CHAUMPAINE, d'azur a une bende d'argent a custeres d'or
diasprez--Roll, temp. HEN. III., Harl. MS. 6589.
Le Counte DEL ILLE, de goules a treis barres dor diasprez--Ibid.
What is meant by diapers in the following arms as thus blazoned in
Burke is not clear. Papworth suggests didapper, an aquatic bird.
Argent, on a chevron gules between three diapers azure, a crescent
or charged with a mullet sable--BREDNELL, London.
--
for a miscellany of bygones: http://powys.org/
If you allow me,

After a brief analysis of Brednell's emblazonment above I've found that its diapers could well describe ... diapers (that is three units of the diapering pattern). Regarding its meaning they are supposed to depict three elderberry wine stains.

Cheers!

Carlos da Fonte
Derek Howard
2014-11-14 16:13:41 UTC
Permalink
Post by portingal
Post by Tim Powys-Lybbe
I got this from Parker's "Glossary of Terms used in Heraldry"
Diapered,
<snip>
Post by portingal
Post by Tim Powys-Lybbe
What is meant by diapers in the following arms as thus blazoned in
Burke is not clear. Papworth suggests didapper, an aquatic bird.
Argent, on a chevron gules between three diapers azure, a crescent
or charged with a mullet sable--BREDNELL, London.
If you allow me,
After a brief analysis of Brednell's emblazonment above I've found that its diapers could well describe ... diapers (that is three units of the diapering pattern). Regarding its meaning they are supposed to depict three elderberry wine stains.
Cheers!
Carlos da Fonte
I do not know how you "found" that or how you can be so sure of the depiction of elderberry wine stains!

As for the printed blazon using "didappers" (not diapers), Burke: "General Armory", 1884 https://archive.org/stream/generalarmoryofe00burk#page/118/
was merely copying earlier authors:

Thomas Robson: "The British herald, or Cabinet of armorial bearings of the nobility & gentry of Great Britain and Iremand , (1830)
http://books.google.be/books?id=WmEBAAAAQAAJ&pg=PA318
who in turn copied:

William Berry: "Encyclopaedia Heraldica ..." vol 2 (1828) http://books.google.be/books?id=e_lBAAAAcAAJ&pg=PT124
who in turn had copied:

Joseph Edmondson: "A Complete Body of Heraldry", vol 2 (London 1780) https://archive.org/stream/completebodyofhe02edmo#page/n65/ ;

Brendell is found as a variant on Brudenell in the 15th century.

The Brudenell arms, depending on the branch of the family, are blazoned as "Argent a chevron Gules between three steel caps Azure" (eg Brudenell of Stanton Wyvile) or "... three morions ..." (earl of Cardigan) or "... three chapeaux ...".

"didappers" may, most probably, be simply a misreading of a very badly scribbled blazon "chapeaux" (or just possibly a misinterpretation of a badly drawn morion as a water bird).

Derek Howard
portingal
2014-11-15 16:40:14 UTC
Permalink
Post by Derek Howard
Post by portingal
Post by Tim Powys-Lybbe
I got this from Parker's "Glossary of Terms used in Heraldry"
Diapered,
<snip>
Post by portingal
Post by Tim Powys-Lybbe
What is meant by diapers in the following arms as thus blazoned in
Burke is not clear. Papworth suggests didapper, an aquatic bird.
Argent, on a chevron gules between three diapers azure, a crescent
or charged with a mullet sable--BREDNELL, London.
If you allow me,
After a brief analysis of Brednell's emblazonment above I've found that its diapers could well describe ... diapers (that is three units of the diapering pattern). Regarding its meaning they are supposed to depict three elderberry wine stains.
Cheers!
Carlos da Fonte
I do not know how you "found" that or how you can be so sure of the depiction of elderberry wine stains!
As for the printed blazon using "didappers" (not diapers), Burke: "General Armory", 1884 https://archive.org/stream/generalarmoryofe00burk#page/118/
Thomas Robson: "The British herald, or Cabinet of armorial bearings of the nobility & gentry of Great Britain and Iremand , (1830)
http://books.google.be/books?id=WmEBAAAAQAAJ&pg=PA318
William Berry: "Encyclopaedia Heraldica ..." vol 2 (1828) http://books.google.be/books?id=e_lBAAAAcAAJ&pg=PT124
Joseph Edmondson: "A Complete Body of Heraldry", vol 2 (London 1780) https://archive.org/stream/completebodyofhe02edmo#page/n65/ ;
Brendell is found as a variant on Brudenell in the 15th century.
The Brudenell arms, depending on the branch of the family, are blazoned as "Argent a chevron Gules between three steel caps Azure" (eg Brudenell of Stanton Wyvile) or "... three morions ..." (earl of Cardigan) or "... three chapeaux ...".
"didappers" may, most probably, be simply a misreading of a very badly scribbled blazon "chapeaux" (or just possibly a misinterpretation of a badly drawn morion as a water bird).
Derek Howard
Dear Mr. Howard,

I imagined that " ... could well describe ... " and " ... are supposed to depict ... " were expressions for conjecture instead of indisputability, but I see that you understood otherwise, and for that I apologise. All my results are propositions and, for any cases in particular, only historical research would be able to deny or confirm them, to a certain extent. On the other side, my convictions are strong regarding the semantic structure I've discovered and confirmed with 6,000 instances, out of 6,000 samples. I would have a hard time trying to deny it myself.

Going back to Brednell and the "how" question. As you probably know I have a blog on the subject that thoroughly explains my methodology and terminology. Unfortunately you have to read it like a book in order to understand it well (following the chronological order of tags), which I admit is cumbersome for anyone using a computer. However, in short terms you have to follow the steps:

a) choose one visual characteristic (see heraldic trace) to be used: e.g. tincture, figuration, attitude, etc.;
b) define the language employed in the analysis (see verbalization): English, Anglo-Norman, Latin, etc.;
c) establish a word or words (see denominant) that might represent the armiger: e.g. territory's name, family name, lineage, demonym, etc. (detailed examples may be seen clicking the square icons at the top right of this page);
d) find a word(s) (see designant) which, by phonetic resemblance with the former, suits colours and shapes represented: you may use transformation, addition, suppression and transposition metaplasms;
e) repeat the procedure until satisfactory results are obtained (you may compare our cyphered results in the examples available, see cypher);
f) verify, whenever feasible, the thematic coherence (see heraldic plot) between the crest, shield and supporters.

You may use English and focus on step d) that might render Brednells. It will justify elderberry stains (or its wine). If you are curious about Brudenell it will also produce similar results, nevertheless less restrict. Thanks for the links and for the considerations on the Brednell arms that helped to clarify a few other points. It is also possible to justify the chevron as a plain canting (more a rebus) for the Brednells, but maybe that is already known. I will publish next Monday, 17th of November by 09:00 GMT, my proposal for the crest of Howard of the Dukes of Norfolk and give you an extra matter for thought, supposing that you know this branch well and will be gentle enough to give us further comments.


Kind regards,

Carlos da Fonte
Derek Howard
2014-11-17 11:25:32 UTC
Permalink
Post by portingal
Post by Derek Howard
I do not know how you "found" that or how you can be so sure of the depiction of elderberry wine stains!
As for the printed blazon using "didappers" (not diapers), Burke: "General Armory", 1884 https://archive.org/stream/generalarmoryofe00burk#page/118/
Thomas Robson: "The British herald, or Cabinet of armorial bearings of the nobility & gentry of Great Britain and Iremand , (1830)
http://books.google.be/books?id=WmEBAAAAQAAJ&pg=PA318
William Berry: "Encyclopaedia Heraldica ..." vol 2 (1828) http://books.google.be/books?id=e_lBAAAAcAAJ&pg=PT124
Joseph Edmondson: "A Complete Body of Heraldry", vol 2 (London 1780) https://archive.org/stream/completebodyofhe02edmo#page/n65/ ;
Brendell is found as a variant on Brudenell in the 15th century.
The Brudenell arms, depending on the branch of the family, are blazoned as "Argent a chevron Gules between three steel caps Azure" (eg Brudenell of Stanton Wyvile) or "... three morions ..." (earl of Cardigan) or "... three chapeaux ...".
"didappers" may, most probably, be simply a misreading of a very badly scribbled blazon "chapeaux" (or just possibly a misinterpretation of a badly drawn morion as a water bird).
Derek Howard
Dear Mr. Howard,
I imagined that " ... could well describe ... " and " ... are supposed to depict ... " were expressions for conjecture instead of indisputability, but I see that you understood otherwise, and for that I apologise. All my results are propositions and, for any cases in particular, only historical research would be able to deny or confirm them, to a certain extent. On the other side, my convictions are strong regarding the semantic structure I've discovered and confirmed with 6,000 instances, out of 6,000 samples. I would have a hard time trying to deny it myself.
a) choose one visual characteristic (see heraldic trace) to be used: e.g. tincture, figuration, attitude, etc.;
b) define the language employed in the analysis (see verbalization): English, Anglo-Norman, Latin, etc.;
c) establish a word or words (see denominant) that might represent the armiger: e.g. territory's name, family name, lineage, demonym, etc. (detailed examples may be seen clicking the square icons at the top right of this page);
d) find a word(s) (see designant) which, by phonetic resemblance with the former, suits colours and shapes represented: you may use transformation, addition, suppression and transposition metaplasms;
e) repeat the procedure until satisfactory results are obtained (you may compare our cyphered results in the examples available, see cypher);
f) verify, whenever feasible, the thematic coherence (see heraldic plot) between the crest, shield and supporters.
You may use English and focus on step d) that might render Brednells. It will justify elderberry stains (or its wine). If you are curious about Brudenell it will also produce similar results, nevertheless less restrict. Thanks for the links and for the considerations on the Brednell arms that helped to clarify a few other points. It is also possible to justify the chevron as a plain canting (more a rebus) for the Brednells, but maybe that is already known. I will publish next Monday, 17th of November by 09:00 GMT, my proposal for the crest of Howard of the Dukes of Norfolk and give you an extra matter for thought, supposing that you know this branch well and will be gentle enough to give us further comments.
Kind regards,
Carlos da Fonte
Thanks for this.

First, regarding the alleged Brednell arms, the Dictionary of British Arms, Medieval Ordinary, v 2, 355 (which includes chevrons between three charges), containing references to English arms before 1530, includes no instance of the name Brednell or variant. It does however include various Brudenells:
1 'Argent a chevron Gules between three chapeaux Azure' (a quarter 3 of arms of Waller) from in College of Arms ms D13 (Visitation of Sussex, Kent, Surrey, Hampshire, Somerset); and 2 'Argent a chevron Gules between three morions Azure' borne by Sir Robert Brudenell, benefactor of Brasenose College temp Henry VII, (impaling Entwysell) formerly in the window of Brasenose Hall and recorded in Gutch, ed.: "History and Antiquities of the Colleges and Halls of the University of Oxford", Oxford 1786-90.
So, it would seem that the arms are not in fact of any long standing medieval origin and there is no evidence that they were used before the reign of Henry VII.

Humphery-Smith: "Armigerous Ancestors", which indexes names in the 16th and 17th century heralds' visitations, does not include any entry for Brednell or variant, though various east Midlands Brudenells are listed. Neither Foster's "Grantees of Arms ... to the end of the seventeenth century", Harleian Soc. 1915; nor Foster: "Grantees of Arms 1687-1898", Harleian Soc. 1916, include any grant to a Brednell or variant.

It would appear likely therefore that the arms listed in Edmondson, etc. are either unrecognised, assumed, arms of a Brednell trying to identify with the Brudenells, having seen the surnames probably have a common origin, or are an erroneous record or transcription in which both surname as well as the blazon may be suspect.

Second, regarding the use of semantics, I have to say that I certainly do not share your enthusiasm. I have read your blog, thesis and papers but they do not convince me. It may be my own limitations but the use of excessive linguistic jargon serves to obscure rather than clarify. Mathematic formulas appear to add nothing helpful. It seems to me that _if_ semantics has any place in heraldry at all, it is not in interpretation of individual designs but may perhaps more likely be found in cataloguing and analysing the results on a wider scale. At the level of individual arms some will have been designed with cants (e.g. the boules of Boulogne) and other references in mind and many others will not. A knowledge of languages may help spot cants but semantic statistical processing will not. It is still far from clear where you have pulled "elderberry stains" from. I accept that you may regard it as proposition to be followed up by historical research but I do not see the value of a proposition that is not self explanatory or clearly explained. (My vote would always be for the historical research first). Several of the examples you have publicised, eg in your presentation at Stuttgart, do not hold up to my mind but this is not the thread for that discussion and I don't want to be harsh here. I had read it first some years back but, despite having refreshed my mind of your blog this weekend, my opinion has not changed on this. However, I would like to hear the impressions of those who heard you expound your theories at the Stuttgart congress.

Best regards
Derek Howard
portingal
2014-11-20 14:30:29 UTC
Permalink
Please allow me some comments ...

(you said) It would appear likely therefore that the arms listed in Edmondson, etc. are either unrecognised, assumed, arms of a Brednell trying to identify with the Brudenells, having seen the surnames probably have a common origin, or are an erroneous record or transcription in which both surname as well as the blazon may be suspect.

(I say) In our experience it is common to see similar visual heraldic depictions (e.g. three morions azure & three diapers azure) associated to similar names (e.g. Brudenell & Brednell), you will find hundreds of these situations. Explaining it with a hypothetical visual or palaeographic transcription error is a comfortable simplification; errors are able to explain everything and must be proposed very cautiously.
Instead, what they seem to show, more than anywhere else is the relationship among words and images in heraldry. Furthermore, the behaviour we study isn't at all limited to medieval times, although its heraldic roots belong there. Even further you may find this kind of association way back in Greek coins of the 5th century BC.

(you said) Second, regarding the use of semantics, I have to say that I certainly do not share your enthusiasm. I have read your blog, thesis and papers but they do not convince me. It may be my own limitations but the use of excessive linguistic jargon serves to obscure rather than clarify.

(I say) The terminology is inevitable in academic papers. We must keep a standard so that everyone reading the paper is able to understand precisely what we say. Neologisms, I have a few, must be justified and clearly defined, which I always did. However, in case of doubt I may try to clarify them for you.

(you said) Mathematic formulas appear to add nothing helpful.

(I say) Really it's just one formula (with a simplified version) used to measure canting. You may find a similar idea in Hamming Distance and Damerau-Levenshtein Distance, but proposed to measure misspellings within strings. You've meant that measuring canting isn't helpful for heraldry or that my formula isn't good enough?

(you said) It seems to me that _if_ semantics has any place in heraldry at all, it is not in interpretation of individual designs but may perhaps more likely be found in cataloguing and analysing the results on a wider scale. At the level of individual arms some will have been designed with cants (e.g. the boules of Boulogne) and other references in mind and many others will not.

(I say) Semantics is the study of meaning, so it's everywhere in human observation. Maybe, what you are saying is that the colours and shapes of heraldry have no intention, an arguable statement, I think.
I've studied 6,000 samples in most European present countries using 50 different languages and I (warily) dare to consider that a "wider scale".
May we say peremptorily that either some or most or all the heraldry is canting? We would need to study all blazonry to say that.
By the way, can you quote anyone that defined an extended definition of what canting arms are? Or rebuses, for that matter? I couldn't.

(you said) A knowledge of languages may help spot cants but semantic statistical processing will not.

(I say) Michel Pastoureau and many other historians use statistics to study heraldry. Please note that parophony (canting) is just a small part of my findings, and yes, it seems to be present in every heraldic representation like in Howard ~ hovvard > hovered > wings, I would be interested to know if you have any particular objection to that?

(you said) It is still far from clear where you have pulled "elderberry stains" from.

(I say) It's still there.

(you said) I accept that you may regard it as proposition to be followed up by historical research but I do not see the value of a proposition that is not self explanatory or clearly explained.

(I say) Axioms are supposed to be self explanatory e.g. the axiom of constructibility says that "V = L", or in "simpler" words, the Von Newmann hierarchy of sets and the constructible universe are equivalent. Maybe they aren't clear enough for everyone, but scarcely useless.
I only recognize my academic papers and conferences as a formal and official explanatory platform. They are the mature result of years of work and passed the test of academic review. So, anything said in my blog and here must refer to these papers, or understood as tentative propositions. I arrived at these results after eight years of work; nobody should expect to thoroughly apprehend all I propose in eight minutes, but perhaps luckily in eight hours. Unfortunately some of these works are in Portuguese, others are published in specialized periodicals or books (most mentioned at my Academia.edu page).

(you said) (My vote would always be for the historical research first).

(I say) ;-) Well, politics is made with votes; science is made with arguments, I vote against science voting. If you say that historians should be involved in studying heraldry I'm 100% with you, but I can't exclude other fields of knowledge. Hierarchy or precedence in approaching the subjects is irrelevant to me. As long as they present sound new facts or ideas that's fine.

(you said) Several of the examples you have publicised, eg in your presentation at Stuttgart, do not hold up to my mind but this is not the thread for that discussion and I don't want to be harsh here.

(I say) Nor to mine, learning is a trial and error process anyway, some have been improved and acknowledged at "Present State of Research" in my blog, see http://heraldry.blogs.sapo.pt/5379.html )

(you said) I had read it first some years back but, despite having refreshed my mind of your blog this weekend, my opinion has not changed on this. However, I would like to hear the impressions of those who heard you expound your theories at the Stuttgart congress.

(I say) That was a 15 minutes briefing on my thesis that dealt with the coat of arms of the first Portuguese kings. The conclusion of the thesis was that "it is possible to admit the use of parophony (as defined) in the primitive coat of arms of D. Afonso Henriques (by 1175)", or in plain, but not precise words, they were canting. But there probably you have a shallow historical knowledge on its historical ambiance. Alternatively, what are your objections against my proposition to justify the three English leopards with Londres (London in Anglo Norman), through Londres ~ leons treis (three lions in Anglo Norman)? Remember that the final "ss" are silent.

All the best,

Carlos da Fonte
Post by Derek Howard
Post by portingal
Post by Derek Howard
I do not know how you "found" that or how you can be so sure of the depiction of elderberry wine stains!
As for the printed blazon using "didappers" (not diapers), Burke: "General Armory", 1884 https://archive.org/stream/generalarmoryofe00burk#page/118/
Thomas Robson: "The British herald, or Cabinet of armorial bearings of the nobility & gentry of Great Britain and Iremand , (1830)
http://books.google.be/books?id=WmEBAAAAQAAJ&pg=PA318
William Berry: "Encyclopaedia Heraldica ..." vol 2 (1828) http://books.google.be/books?id=e_lBAAAAcAAJ&pg=PT124
Joseph Edmondson: "A Complete Body of Heraldry", vol 2 (London 1780) https://archive.org/stream/completebodyofhe02edmo#page/n65/ ;
Brendell is found as a variant on Brudenell in the 15th century.
The Brudenell arms, depending on the branch of the family, are blazoned as "Argent a chevron Gules between three steel caps Azure" (eg Brudenell of Stanton Wyvile) or "... three morions ..." (earl of Cardigan) or "... three chapeaux ...".
"didappers" may, most probably, be simply a misreading of a very badly scribbled blazon "chapeaux" (or just possibly a misinterpretation of a badly drawn morion as a water bird).
Derek Howard
Dear Mr. Howard,
I imagined that " ... could well describe ... " and " ... are supposed to depict ... " were expressions for conjecture instead of indisputability, but I see that you understood otherwise, and for that I apologise. All my results are propositions and, for any cases in particular, only historical research would be able to deny or confirm them, to a certain extent. On the other side, my convictions are strong regarding the semantic structure I've discovered and confirmed with 6,000 instances, out of 6,000 samples. I would have a hard time trying to deny it myself.
a) choose one visual characteristic (see heraldic trace) to be used: e.g. tincture, figuration, attitude, etc.;
b) define the language employed in the analysis (see verbalization): English, Anglo-Norman, Latin, etc.;
c) establish a word or words (see denominant) that might represent the armiger: e.g. territory's name, family name, lineage, demonym, etc. (detailed examples may be seen clicking the square icons at the top right of this page);
d) find a word(s) (see designant) which, by phonetic resemblance with the former, suits colours and shapes represented: you may use transformation, addition, suppression and transposition metaplasms;
e) repeat the procedure until satisfactory results are obtained (you may compare our cyphered results in the examples available, see cypher);
f) verify, whenever feasible, the thematic coherence (see heraldic plot) between the crest, shield and supporters.
You may use English and focus on step d) that might render Brednells. It will justify elderberry stains (or its wine). If you are curious about Brudenell it will also produce similar results, nevertheless less restrict. Thanks for the links and for the considerations on the Brednell arms that helped to clarify a few other points. It is also possible to justify the chevron as a plain canting (more a rebus) for the Brednells, but maybe that is already known. I will publish next Monday, 17th of November by 09:00 GMT, my proposal for the crest of Howard of the Dukes of Norfolk and give you an extra matter for thought, supposing that you know this branch well and will be gentle enough to give us further comments.
Kind regards,
Carlos da Fonte
Thanks for this.
1 'Argent a chevron Gules between three chapeaux Azure' (a quarter 3 of arms of Waller) from in College of Arms ms D13 (Visitation of Sussex, Kent, Surrey, Hampshire, Somerset); and 2 'Argent a chevron Gules between three morions Azure' borne by Sir Robert Brudenell, benefactor of Brasenose College temp Henry VII, (impaling Entwysell) formerly in the window of Brasenose Hall and recorded in Gutch, ed.: "History and Antiquities of the Colleges and Halls of the University of Oxford", Oxford 1786-90.
So, it would seem that the arms are not in fact of any long standing medieval origin and there is no evidence that they were used before the reign of Henry VII.
Humphery-Smith: "Armigerous Ancestors", which indexes names in the 16th and 17th century heralds' visitations, does not include any entry for Brednell or variant, though various east Midlands Brudenells are listed. Neither Foster's "Grantees of Arms ... to the end of the seventeenth century", Harleian Soc. 1915; nor Foster: "Grantees of Arms 1687-1898", Harleian Soc. 1916, include any grant to a Brednell or variant.
It would appear likely therefore that the arms listed in Edmondson, etc. are either unrecognised, assumed, arms of a Brednell trying to identify with the Brudenells, having seen the surnames probably have a common origin, or are an erroneous record or transcription in which both surname as well as the blazon may be suspect.
Second, regarding the use of semantics, I have to say that I certainly do not share your enthusiasm. I have read your blog, thesis and papers but they do not convince me. It may be my own limitations but the use of excessive linguistic jargon serves to obscure rather than clarify. Mathematic formulas appear to add nothing helpful. It seems to me that _if_ semantics has any place in heraldry at all, it is not in interpretation of individual designs but may perhaps more likely be found in cataloguing and analysing the results on a wider scale. At the level of individual arms some will have been designed with cants (e.g. the boules of Boulogne) and other references in mind and many others will not. A knowledge of languages may help spot cants but semantic statistical processing will not. It is still far from clear where you have pulled "elderberry stains" from. I accept that you may regard it as proposition to be followed up by historical research but I do not see the value of a proposition that is not self explanatory or clearly explained. (My vote would always be for the historical research first). Several of the examples you have publicised, eg in your presentation at Stuttgart, do not hold up to my mind but this is not the thread for that discussion and I don't want to be harsh here. I had read it first some years back but, despite having refreshed my mind of your blog this weekend, my opinion has not changed on this. However, I would like to hear the impressions of those who heard you expound your theories at the Stuttgart congress.
Best regards
Derek Howard
Derek Howard
2014-11-20 20:29:53 UTC
Permalink
Post by portingal
Please allow me some comments ...
Of course, that is the purpose of the group.
Post by portingal
(DH) It would appear likely therefore that the arms listed in Edmondson,
etc. are either unrecognised, assumed, arms of a Brednell trying to
identify with the Brudenells, having seen the surnames probably have a
common origin, or are an erroneous record or transcription in which both
surname as well as the blazon may be suspect.
(CdF) In our experience it is common to see similar visual heraldic
depictions (e.g. three morions azure & three diapers azure) associated to
similar names (e.g. Brudenell & Brednell), you will find hundreds of these
situations. Explaining it with a hypothetical visual or palaeographic
transcription error is a comfortable simplification; errors are able to
explain everything and must be proposed very cautiously.
I proposed error as one of the options, and that after checking the most comprehensive (albeit not guaranteed absolute) lists of English medieval arms, English visitation arms and 16-19th century English armorial grants. It is not a simplification by that stage but an equally probable origin to the first option I cited. There are a great many transcription errors in 18th century transcripts which get carried forward without query from one printed listing to another.

What makes me doubt the first option, of assumption in the 18th century to reflect the "the name is similar" approach, is that it is a unique occurrence of the term "diapers" as a charge and, tracking back to the sources, this turns out to be "didappers" and NOT "diapers". So there is a mis-transcription to start with between the source cited by Tim and the source it in turn cites. In turn "didappers" as an heraldic charge is unique to these alleged arms and does not appear to occur anywhere else. In addition, it does not appear that the family of Brednell is legitimately armigerous unless the spelling of the name has changed back from Brudenell in the previous couple of centuries. This thread was about "diaper" and my conclusion is that the term does not refer to an heraldic charge (it only refers to the artistic elaboration of areas of the shield otherwise smooth in tone for effect) and I do not accept that there is such a "thing" as a diaper, nor am I ready to accept a "didapper" without further substantial evidence.

Having three of something on the arms has of itself no meaning in most cases beyond artistic balance especially in arms with a chevron. Some medieval arms appear to use three as indicative of the Holy Trinity but this is not inevitable, especially in a protestant country, and we can read nothing into it in this case.
Post by portingal
Instead, what they seem to show, more than anywhere else is the
relationship among words and images in heraldry. Furthermore, the
behaviour we study isn't at all limited to medieval times, although its
heraldic roots belong there. Even further you may find this kind of
association way back in Greek coins of the 5th century BC.
We all know there can be a link between words and imagery whether heraldic or not but we should also be aware that it is not always the case by any means as can be seen from a study of modern corporate logos.
Post by portingal
(DH) Second, regarding the use of semantics, I have to say that I
certainly do not share your enthusiasm. I have read your blog, thesis
and papers but they do not convince me. It may be my own limitations but
the use of excessive linguistic jargon serves to obscure rather than
clarify.
(CdF) The terminology is inevitable in academic papers. We must keep a
standard so that everyone reading the paper is able to understand
precisely what we say. Neologisms, I have a few, must be justified and
clearly defined, which I always did. However, in case of doubt I may try
to clarify them for you.
Excessive use of jargon obfuscates. Academic papers do not need to be obscure. It is like reading a 16th century heraldic textbook. A load of gobbledy gook that may mean something to the author but suggests that clarity and logic is not what is intended.
Post by portingal
(DH) Mathematic formulas appear to add nothing helpful.
(CdF) Really it's just one formula (with a simplified version) used to
measure canting. You may find a similar idea in Hamming Distance and
Damerau-Levenshtein Distance, but proposed to measure misspellings within
strings. You've meant that measuring canting isn't helpful for heraldry or
that my formula isn't good enough?
I do not believe you can "measure cant"! Certainly not with a formula.
Post by portingal
(DH) It seems to me that _if_ semantics has any place in heraldry at
all, it is not in interpretation of individual designs but may perhaps
more likely be found in cataloguing and analysing the results on a wider
scale. At the level of individual arms some will have been designed with
cants (e.g. the boules of Boulogne) and other references in mind and
many others will not.
(CdF) Semantics is the study of meaning, so it's everywhere in human
observation. Maybe, what you are saying is that the colours and shapes of
heraldry have no intention, an arguable statement, I think.
It can only be the study of meaning once you know or at least have a good idea of the meaning.
Post by portingal
I've studied 6,000 samples in most European present countries using 50
different languages and I (warily) dare to consider that a "wider scale".
May we say peremptorily that either some or most or all the heraldry is
canting? We would need to study all blazonry to say that.
Indeed, and I would not by any means suggest that all heraldry is canting nor even the majority, though it was popular in the 16th century in England.
Post by portingal
By the way, can you quote anyone that defined an extended definition of
what canting arms are? Or rebuses, for that matter? I couldn't.
Is it necessary?
Post by portingal
(DH) A knowledge of languages may help spot cants but semantic
statistical processing will not.
(CdF) Michel Pastoureau and many other historians use statistics to study
heraldry. Please note that parophony (canting) is just a small part of my
findings, and yes, it seems to be present in every heraldic representation
like in Howard ~ hovvard > hovered > wings, I would be interested to know
if you have any particular objection to that?
Prof. Pastoureau does not use formula in the way you do. You are correct to say that he uses statistics rather than maths but they are mainly simple distributions.

There are hundreds of crests with wings for many different families. This is usually merely as a convenient way of displaying the arms on the shield atop the helm as is the case with Howard. Birds that hover tend not to have their wings adorsed but rather more horizontal. The Howard name has probably never been pronounced the way you suggest would be necessary for a cant (the surname has many different origins and none of those I can think of would have a v sound).
Post by portingal
(DH) It is still far from clear where you have pulled "elderberry
stains" from.
(CdF) It's still there.
Still where? You have still not explained where you plucked this idea from.
Post by portingal
(DH) I accept that you may regard it as proposition to be followed up by
historical research but I do not see the value of a proposition that is
not self explanatory or clearly explained.
(CdF) Axioms are supposed to be self explanatory e.g. the axiom of
constructibility says that "V = L", or in "simpler" words, the Von Newmann
hierarchy of sets and the constructible universe are equivalent. Maybe
they aren't clear enough for everyone, but scarcely useless.
Uselessness or usefulness depends on the context. Here von Newmann heirachies do not appear relevant.
Post by portingal
(CdF) I only recognize my academic papers and conferences as a formal and
official explanatory platform. They are the mature result of years of work
and passed the test of academic review. So, anything said in my blog and
here must refer to these papers, or understood as tentative propositions.
I arrived at these results after eight years of work; nobody should expect
to thoroughly apprehend all I propose in eight minutes, but perhaps
luckily in eight hours. Unfortunately some of these works are in
Portuguese, others are published in specialized periodicals or books (most
mentioned at my Academia.edu page).
I know it is a lot to ask but perhaps you would do well to spend the eight hours writing an idiot's clear explanation - if only for me! As I said I have spent rather more than that wading through your on-line material and often failed to see what you were attempting to achieve, let alone follow the logic as to how and why.
Post by portingal
(DH) (My vote would always be for the historical research first).
(CdF) ;-) Well, politics is made with votes; science is made with
arguments, I vote against science voting. If you say that historians
should be involved in studying heraldry I'm 100% with you, but I can't
exclude other fields of knowledge. Hierarchy or precedence in approaching
the subjects is irrelevant to me. As long as they present sound new facts
or ideas that's fine.
Politics and voting are always best when the policies are evidence-based and there is a clear understandable logic to follow. Voting on gut instincts is daft. I agree that one should not be too narrowly focussed and very often studies of adjacent subjects can shed new light on the one under discussion (the interactions of archaeology, law, military studies, medieval literature, etc. are especially helpful with heraldry but they are not exclusive of others). However, as you correctly say, they should present sound new facts or ideas. Where they are unsound or dubious it is wise to consider afresh. I am open to persuasion but as I said I have yet to be convinced.
Post by portingal
(DH) Several of the examples you have publicised, eg in your
presentation at Stuttgart, do not hold up to my mind but this is not the
thread for that discussion and I don't want to be harsh here.
(CdF) Nor to mine, learning is a trial and error process anyway, some have
been improved and acknowledged at "Present State of Research" in my blog,
see http://heraldry.blogs.sapo.pt/5379.html )
(DH) I had read it first some years back but, despite having refreshed
my mind of your blog this weekend, my opinion has not changed on this.
However, I would like to hear the impressions of those who heard you
expound your theories at the Stuttgart congress.
(CdF) That was a 15 minutes briefing on my thesis that dealt with the
coat of arms of the first Portuguese kings. The conclusion of the thesis
was that "it is possible to admit the use of parophony (as defined) in the
primitive coat of arms of D. Afonso Henriques (by 1175)", or in plain, but
not precise words, they were canting. But there probably you have a
shallow historical knowledge on its historical ambiance. Alternatively,
what are your objections against my proposition to justify the three
English leopards with Londres (London in Anglo Norman), through Londres ~
leons treis (three lions in Anglo Norman)? Remember that the final "ss"
are silent.
I read your thesis. Especially since you had to condense your presentation, it is all the more striking with regard to your slide at Stuttgart on the English leopards was that this was said to be in the context of rules using their capitals as a reference. London has not in heraldic centuries been the capital of England (not since Roman times). The capital was and is Westminster (IIRC the court first assembled at Westminster Hall in 1099). The lions have never been attached to London heraldically. In addition, there are several other principalities using three lions passant with different capitals. You could have made reference to the lion of Judah, the use of the lion as a symbol by other Saxon and Norman royal or princely families or lions held in the Tower of London, all is guesswork but a suggestion of a cant on the name of London by reversing words seems the most unlikely to chose. There are however already well worked theories (though that is all they are but see for instance C Humphery-Smith: "Anglo-Norman Armory", Canterbury 1973, 12, 22-3 n 40 and 200-1) about the links to the lion rampant and the genealogical links to the family of the counts of Louvain (which most probably was a cant). Hence my recommendation to research the arms and the history and previous work first.

Best regards
Derek Howard
portingal
2014-11-25 16:47:06 UTC
Permalink
It's nice to hear that you had the patience to read all the 211 pages of my thesis in Portuguese. Indeed I took London as the capital of England then. Furthermore I took Westminster as the royal residence and this is one of the other six semantic levels discovered so far. And yes, I do know the cities were both isolated in the 12th century. Note that "capital" (city) is a late derivation from Latin "caput" (eng. head) through Old French, meaning the main city. Most of the time royal residences (as per my definition) and capitals (as per my definition) coincide but that wasn't always the case in medieval England. To place the events chronologically, the arms were considered to appear with Richard I, therefore after 1189. I see no reason to change what I've proposed but it doesn't mean that things could be different with other presuppositions; English expertise on the subject is certainly welcome.

My blog is mainly intended for researchers possibly interested in the methodology that was put forward in academic articles. So that any other may repeat the results without compromising either my precedence or their freedom to publish on the said results as each one's independent findings. As a consequence no particular conclusions are published in full except the exemplification. Failing to arrive at any result whatsoever (even those that disagree) is clearly a matter of misreading or refusal. Regarding the former I am glad to help whenever needed, regarding the latter there isn't much I can do except being sorry for my possible clumsiness.

It's curious to note that you were able to "measure" the canting of Louvain as a possibility (that is a discretion index "k" lower than one, in my terms), although you seem far from approving the concept. It also looks like you've jumped my proposition at page 102 of my thesis for the arms of the Duchy of Brabant taking into account its capital: Leuven (Dutch: Louvain) ~ leeuw een (Dutch: lion, one). But it would be difficult to accept this solution for Brabant and deny it for England, as I understood that you suggest. I arrived at this result independently but it's so "obvious" that it makes me suppose I wasn't the first to notice it. On the other side it shows what the proper organization of ideas within a methodology can do for making things easier to the analyst.

On the advice: "research the arms and the history and previous work first", you've probably misread all I recommended in "Methodology (1) Inquiry" at: http://heraldry.blogs.sapo.pt/9073.html

Many thanks,

Carlos da Fonte
Post by Derek Howard
Post by portingal
Please allow me some comments ...
Of course, that is the purpose of the group.
Post by portingal
(DH) It would appear likely therefore that the arms listed in Edmondson,
etc. are either unrecognised, assumed, arms of a Brednell trying to
identify with the Brudenells, having seen the surnames probably have a
common origin, or are an erroneous record or transcription in which both
surname as well as the blazon may be suspect.
(CdF) In our experience it is common to see similar visual heraldic
depictions (e.g. three morions azure & three diapers azure) associated to
similar names (e.g. Brudenell & Brednell), you will find hundreds of these
situations. Explaining it with a hypothetical visual or palaeographic
transcription error is a comfortable simplification; errors are able to
explain everything and must be proposed very cautiously.
I proposed error as one of the options, and that after checking the most comprehensive (albeit not guaranteed absolute) lists of English medieval arms, English visitation arms and 16-19th century English armorial grants. It is not a simplification by that stage but an equally probable origin to the first option I cited. There are a great many transcription errors in 18th century transcripts which get carried forward without query from one printed listing to another.
What makes me doubt the first option, of assumption in the 18th century to reflect the "the name is similar" approach, is that it is a unique occurrence of the term "diapers" as a charge and, tracking back to the sources, this turns out to be "didappers" and NOT "diapers". So there is a mis-transcription to start with between the source cited by Tim and the source it in turn cites. In turn "didappers" as an heraldic charge is unique to these alleged arms and does not appear to occur anywhere else. In addition, it does not appear that the family of Brednell is legitimately armigerous unless the spelling of the name has changed back from Brudenell in the previous couple of centuries. This thread was about "diaper" and my conclusion is that the term does not refer to an heraldic charge (it only refers to the artistic elaboration of areas of the shield otherwise smooth in tone for effect) and I do not accept that there is such a "thing" as a diaper, nor am I ready to accept a "didapper" without further substantial evidence.
Having three of something on the arms has of itself no meaning in most cases beyond artistic balance especially in arms with a chevron. Some medieval arms appear to use three as indicative of the Holy Trinity but this is not inevitable, especially in a protestant country, and we can read nothing into it in this case.
Post by portingal
Instead, what they seem to show, more than anywhere else is the
relationship among words and images in heraldry. Furthermore, the
behaviour we study isn't at all limited to medieval times, although its
heraldic roots belong there. Even further you may find this kind of
association way back in Greek coins of the 5th century BC.
We all know there can be a link between words and imagery whether heraldic or not but we should also be aware that it is not always the case by any means as can be seen from a study of modern corporate logos.
Post by portingal
(DH) Second, regarding the use of semantics, I have to say that I
certainly do not share your enthusiasm. I have read your blog, thesis
and papers but they do not convince me. It may be my own limitations but
the use of excessive linguistic jargon serves to obscure rather than
clarify.
(CdF) The terminology is inevitable in academic papers. We must keep a
standard so that everyone reading the paper is able to understand
precisely what we say. Neologisms, I have a few, must be justified and
clearly defined, which I always did. However, in case of doubt I may try
to clarify them for you.
Excessive use of jargon obfuscates. Academic papers do not need to be obscure. It is like reading a 16th century heraldic textbook. A load of gobbledy gook that may mean something to the author but suggests that clarity and logic is not what is intended.
Post by portingal
(DH) Mathematic formulas appear to add nothing helpful.
(CdF) Really it's just one formula (with a simplified version) used to
measure canting. You may find a similar idea in Hamming Distance and
Damerau-Levenshtein Distance, but proposed to measure misspellings within
strings. You've meant that measuring canting isn't helpful for heraldry or
that my formula isn't good enough?
I do not believe you can "measure cant"! Certainly not with a formula.
Post by portingal
(DH) It seems to me that _if_ semantics has any place in heraldry at
all, it is not in interpretation of individual designs but may perhaps
more likely be found in cataloguing and analysing the results on a wider
scale. At the level of individual arms some will have been designed with
cants (e.g. the boules of Boulogne) and other references in mind and
many others will not.
(CdF) Semantics is the study of meaning, so it's everywhere in human
observation. Maybe, what you are saying is that the colours and shapes of
heraldry have no intention, an arguable statement, I think.
It can only be the study of meaning once you know or at least have a good idea of the meaning.
Post by portingal
I've studied 6,000 samples in most European present countries using 50
different languages and I (warily) dare to consider that a "wider scale".
May we say peremptorily that either some or most or all the heraldry is
canting? We would need to study all blazonry to say that.
Indeed, and I would not by any means suggest that all heraldry is canting nor even the majority, though it was popular in the 16th century in England.
Post by portingal
By the way, can you quote anyone that defined an extended definition of
what canting arms are? Or rebuses, for that matter? I couldn't.
Is it necessary?
Post by portingal
(DH) A knowledge of languages may help spot cants but semantic
statistical processing will not.
(CdF) Michel Pastoureau and many other historians use statistics to study
heraldry. Please note that parophony (canting) is just a small part of my
findings, and yes, it seems to be present in every heraldic representation
like in Howard ~ hovvard > hovered > wings, I would be interested to know
if you have any particular objection to that?
Prof. Pastoureau does not use formula in the way you do. You are correct to say that he uses statistics rather than maths but they are mainly simple distributions.
There are hundreds of crests with wings for many different families. This is usually merely as a convenient way of displaying the arms on the shield atop the helm as is the case with Howard. Birds that hover tend not to have their wings adorsed but rather more horizontal. The Howard name has probably never been pronounced the way you suggest would be necessary for a cant (the surname has many different origins and none of those I can think of would have a v sound).
Post by portingal
(DH) It is still far from clear where you have pulled "elderberry
stains" from.
(CdF) It's still there.
Still where? You have still not explained where you plucked this idea from.
Post by portingal
(DH) I accept that you may regard it as proposition to be followed up by
historical research but I do not see the value of a proposition that is
not self explanatory or clearly explained.
(CdF) Axioms are supposed to be self explanatory e.g. the axiom of
constructibility says that "V = L", or in "simpler" words, the Von Newmann
hierarchy of sets and the constructible universe are equivalent. Maybe
they aren't clear enough for everyone, but scarcely useless.
Uselessness or usefulness depends on the context. Here von Newmann heirachies do not appear relevant.
Post by portingal
(CdF) I only recognize my academic papers and conferences as a formal and
official explanatory platform. They are the mature result of years of work
and passed the test of academic review. So, anything said in my blog and
here must refer to these papers, or understood as tentative propositions.
I arrived at these results after eight years of work; nobody should expect
to thoroughly apprehend all I propose in eight minutes, but perhaps
luckily in eight hours. Unfortunately some of these works are in
Portuguese, others are published in specialized periodicals or books (most
mentioned at my Academia.edu page).
I know it is a lot to ask but perhaps you would do well to spend the eight hours writing an idiot's clear explanation - if only for me! As I said I have spent rather more than that wading through your on-line material and often failed to see what you were attempting to achieve, let alone follow the logic as to how and why.
Post by portingal
(DH) (My vote would always be for the historical research first).
(CdF) ;-) Well, politics is made with votes; science is made with
arguments, I vote against science voting. If you say that historians
should be involved in studying heraldry I'm 100% with you, but I can't
exclude other fields of knowledge. Hierarchy or precedence in approaching
the subjects is irrelevant to me. As long as they present sound new facts
or ideas that's fine.
Politics and voting are always best when the policies are evidence-based and there is a clear understandable logic to follow. Voting on gut instincts is daft. I agree that one should not be too narrowly focussed and very often studies of adjacent subjects can shed new light on the one under discussion (the interactions of archaeology, law, military studies, medieval literature, etc. are especially helpful with heraldry but they are not exclusive of others). However, as you correctly say, they should present sound new facts or ideas. Where they are unsound or dubious it is wise to consider afresh. I am open to persuasion but as I said I have yet to be convinced.
Post by portingal
(DH) Several of the examples you have publicised, eg in your
presentation at Stuttgart, do not hold up to my mind but this is not the
thread for that discussion and I don't want to be harsh here.
(CdF) Nor to mine, learning is a trial and error process anyway, some have
been improved and acknowledged at "Present State of Research" in my blog,
see http://heraldry.blogs.sapo.pt/5379.html )
(DH) I had read it first some years back but, despite having refreshed
my mind of your blog this weekend, my opinion has not changed on this.
However, I would like to hear the impressions of those who heard you
expound your theories at the Stuttgart congress.
(CdF) That was a 15 minutes briefing on my thesis that dealt with the
coat of arms of the first Portuguese kings. The conclusion of the thesis
was that "it is possible to admit the use of parophony (as defined) in the
primitive coat of arms of D. Afonso Henriques (by 1175)", or in plain, but
not precise words, they were canting. But there probably you have a
shallow historical knowledge on its historical ambiance. Alternatively,
what are your objections against my proposition to justify the three
English leopards with Londres (London in Anglo Norman), through Londres ~
leons treis (three lions in Anglo Norman)? Remember that the final "ss"
are silent.
I read your thesis. Especially since you had to condense your presentation, it is all the more striking with regard to your slide at Stuttgart on the English leopards was that this was said to be in the context of rules using their capitals as a reference. London has not in heraldic centuries been the capital of England (not since Roman times). The capital was and is Westminster (IIRC the court first assembled at Westminster Hall in 1099). The lions have never been attached to London heraldically. In addition, there are several other principalities using three lions passant with different capitals. You could have made reference to the lion of Judah, the use of the lion as a symbol by other Saxon and Norman royal or princely families or lions held in the Tower of London, all is guesswork but a suggestion of a cant on the name of London by reversing words seems the most unlikely to chose. There are however already well worked theories (though that is all they are but see for instance C Humphery-Smith: "Anglo-Norman Armory", Canterbury 1973, 12, 22-3 n 40 and 200-1) about the links to the lion rampant and the genealogical links to the family of the counts of Louvain (which most probably was a cant). Hence my recommendation to research the arms and the history and previous work first.
Best regards
Derek Howard
Derek Howard
2014-11-25 23:12:06 UTC
Permalink
<snip> Note that "capital" (city) is a late derivation from
Latin "caput" (eng. head) through Old French, meaning the main city. Most
of the time royal residences (as per my definition) and capitals (as per
my definition) coincide but that wasn't always the case in medieval
England.
Indeed, the capital in Norman times was wherever the king was as he was peripatetic. By some definitions it remained at Winchester where the treasury was held.
To place the events chronologically, the arms were considered to
appear with Richard I, therefore after 1189. I see no reason to change
what I've proposed but it doesn't mean that things could be different with
other presuppositions; English expertise on the subject is certainly
welcome.
However, there is evidence of lions having been used by Geoffrey of Anjou, perhaps as early as 1128 when he was knighted and given a shield by King Henry (according to Jean de Marmoutier, who described the shield. He was writing 1170-5, so before 1189), the plaque illustrating these arms that is at Le Mans and used to hang above his tomb has been dated, on stylistic grounds, to the period of the tomb, ca 1150-55. So lions were apparently connected with the Angevins before any came to England.

Incidentally, I forgot in my previous post to point out that, of course (as you apparently noticed in your thesis, p 102), lions passant were blazoned leopards, and "lion léopardé" is still the term in French blazon. There is not much of a cant between leopard and London. Your thesis merely claimed that they must be lions and the synonym was evident - not a very academic argument to my mind, despite your citation of Pastoureau that leopards were a type of lion, and certainly not a cant.
My blog is mainly intended for researchers possibly interested in the
methodology that was put forward in academic articles. So that any other
may repeat the results without compromising either my precedence or their
freedom to publish on the said results as each one's independent findings.
As a consequence no particular conclusions are published in full except
the exemplification. Failing to arrive at any result whatsoever (even
those that disagree) is clearly a matter of misreading or refusal.
Regarding the former I am glad to help whenever needed, regarding the
latter there isn't much I can do except being sorry for my possible
clumsiness.
That is unfortunate or perhaps too convenient depending on one's standpoint. However, you published here on this newsgroup a suggestion relating to "elderberry wine stains". For the third time of asking, are you happy to explain your reasoning here, please?
It's curious to note that you were able to "measure" the canting
Quite the opposite. I said it is _not_ possible to "measure" cants!
of Louvain as a possibility (that is a discretion index "k" lower than
one, in my terms), although you seem far from approving the concept.
I neither approved nor disapproved but brought the widely acknowledged theory to your attention. No need for an 'index'. However, as you correctly noticed, the Dutch name for Louvain is a close in sound match to the Dutch/German words for lion. However, things are not necessarily so simple either way.

The Counts of Louvain appear to have had the arms Gules a fess Argent. The Dukes of Brabant as such were first created 1184/5 having been formerly landgraves. The Duchy (and formerly landgraveship) of Brabant was originally between the Zenne and Dender rivers and did not include Louvain (a separate county), so it is difficult to say that the arms of the Dukes of Brabant was derived from the capital of the _Duchy_ (Brussels). Indeed Brussels and Louvain were separate counties though both under eg Godfrey II (d 1142).

We probably first see the Brabant arms Sable a lion rampant Or in the seal of Henry I, Duke of (Lower) Lotharingia and Duke of Brabant (from 1183 to 1235), whose seal, in an example from 1195, bore an equestrian figure carrying a shield with a lion and a banner with a lion (eg. see C Butkens: "Trophées de Brabant", 1637, t 1, Prevves [proofs], 47). It is therefore not obvious that the arms of the English kings descend in any progression _from_ these, as they were adopted in the same time-frame, but there may well have been the decision of related families to acknowledge common roots.

The house of Louvain however had a descent, via Godfrey I (d 1139) father of Adeliza of Louvain (d 1151), wife of Henry I of England and later of William d'Aubigny - the d'Aubigny earls of Arundel bore, perhaps not coincidentally, Gules a lion Or. That and the arms of similarly connected families are explored by various authors as a group; and the arms, on the balance of probability, reflect familial relationships rather than each being a cant or other reference to the territory concerned.
It also looks like you've jumped my proposition at page 102 of my thesis
Leuven (Dutch: Louvain) ~ leeuw een
(Dutch: lion, one). But it would be difficult to accept this solution for
Brabant and deny it for England, as I understood that you suggest. I
arrived at this result independently but it's so
"obvious" that it makes me suppose I wasn't the first to notice it. On the
other side it shows what the proper organization of ideas within a
methodology can do for making things easier to the analyst.
A similarity in words does not take a methodology to spot nor any index 'value'. It just needs a knowledge of the words in the respective languages.
On the advice: "research the arms and the history and previous work
first", you've probably misread all I recommended in "Methodology (1)
http://heraldry.blogs.sapo.pt/9073.html
Hmm. I shall leave others to judge that. While I do not doubt that some obvious cants or other references are indeed mentioned in your thesis, I simply disagree that your highly artificial mechanistic approach has any additional value in identifying these and there are a number (and I cannot be bothered to review in detail all of them) where I think it has produced surprising and questionable results.

I shall cite just one as an example at this point, selected because you highlighted it amongst others in your slide presentation: the suggestion, in your 2009 thesis, that the Duchy of Brittany arms of a field of Ermine plain are derived from the Breton word "brizh" with your interpretation meaning of 'mottled' looks like guesswork (your thesis p 105). The Breton word 'Brizh' means colourful or multi-coloured (bigarré in French) rather than 'mottled', or 'mosqueado' as you have it in Portuguese. One might just conceive of a humouristic, tongue-in-cheek use of the simple black and white to refer to a word for multi-coloured. However, does it not seem more likely that, if you must insist on a cant here (assuming there is one at all) you could look at the word Ermine itself (hermine (FR), erminig (Breton), armiño (Sp), or arminhos as you say in your Portuguese text), Brittany having been called Armorica? There again, you could have claimed that Breizh was a similar sound to the French 'brizé' for broken. This perhaps is a more sensible an option than seeking to make use only of the Breton language. The French speaking Dukes (though they would probably have been conversant in Breton also) first used the ermine field alone in their arms in 1251 on the seal of Jean I, le Roux. It is a simplification of the original arms - Chequy Or and Azure a bordure Gules a canton of Ermine - as they descended from the house of Dreux and the canton had effectively been a brizure (see "L'armorial Le Breton", ed de Boos, Paris 2004, 140, no 62). So yes, possibly, in part, a sound-play on 'Breizh' but probably nothing whatsoever to do with mottled.

I could go on but I think we shall have to agree to disagree on the value of your "method". I look forward however to your explanation of "elderberry wine stains".

Best regards
Derek Howard
portingal
2014-12-01 18:19:49 UTC
Permalink
(You said) However, there is evidence of lions having been used by Geoffrey of Anjou, perhaps as early as 1128 when he was knighted and given a shield by King Henry (according to Jean de Marmoutier, who described the shield. He was writing 1170-5, so before 1189), the plaque illustrating these arms that is at Le Mans and used to hang above his tomb has been dated, on stylistic grounds, to the period of the tomb, ca 1150-55. So lions were apparently connected with the Angevins before any came to England.


(I say) That is partially explained, also at page 102 of my thesis:

Cenomanum (Latin: Le Mans) ~ Senum Magnum (Latin: six each; big or powerful), producing six lions in the shield.


(You said) Incidentally, I forgot in my previous post to point out that, of course (as you apparently noticed in your thesis, p 102), lions passant were blazoned leopards, and "lion léopardé" is still the term in French blazon. There is not much of a cant between leopard and London. Your thesis merely claimed that they must be lions and the synonym was evident - not a very academic argument to my mind, despite your citation of Pastoureau that leopards were a type of lion, and certainly not a cant.

(I say) In fact, leopards are lions and vice-versa, for Pastoureau. I guess he is right because leopards don't have a mane and are spotted or black. We must not confound the description of a blazon, the emblazonment, and the meaning of its components. However, one thing that must be stressed in my method is that one lion is different from three lions, a lion rampant from a leopard and a blue lion from a lion proper. But we must distinguish the heraldic tradition of emblazonment, different geographically anyway, from the actual primitive meaning that justify any visual features. If you find the cant Black ~ black, but you couldn't accept it because that tincture is described as "sable"? In that respect you may just say that a leopard is a passing lion that looks at the observer. On top of that all visual aspects of each shield have a stronger justification other than the sole personal taste of the author.
(You said) That is unfortunate or perhaps too convenient depending on one's standpoint. However, you published here on this newsgroup a suggestion relating to "elderberry wine stains". For the third time of asking, are you happy to explain your reasoning here, please?

(I say) Yes, of course I may explain it again (differently):

a) Take the word Brednells,

b) Change isolated signals (graphemes) and sounds (phonemes) to a different order or similar appearance [but not limited by linguistic similarity].

You may therefore:

b1) Modify the order of the elements (metathesis). [I'd recommend you to start your essaying trials here, be bold here],

b2) The presence of elements, add or remove them (epenthesis & elision). [less frequent],

b3) Change the element to a different, but similar element (crasis, fortition, lenition, etc.) [similar to canting, but be aware, this is not canting],

c) Check the arms and see if the word(s) you've just found agree with the shapes and/or colours [in this case you already have the advantage of "knowing" that the referent metonymy is Brednells and that its heraldic trace are three blue diapers]

d) if they are not compatible repeat the process from a).
Post by portingal
It's curious to note that you were able to "measure" the canting
(You said) Quite the opposite. I said it is _not_ possible to "measure" cants!

(I say) What I meant is that you've said one thing and did (unintentionally, for sure) the opposite. You did it again for Leopard ~ London, which you call a cant (that is, the discretion index "k" is bigger than 1, in my terms). But does everybody concur that Sycomore is a cant for Sagremor? Can you imagine that people don't always agree on cants? How can you harmonize that? The discretion index is my contribution to answer these questions.

(You said) The Counts of Louvain appear to have had the arms Gules a fess Argent. The Dukes of Brabant as such were first created 1184/5 having been formerly landgraves. The Duchy (and formerly landgraveship) of Brabant was originally between the Zenne and Dender rivers and did not include Louvain (a separate county), so it is difficult to say that the arms of the Dukes of Brabant was derived from the capital of the _Duchy_ (Brussels). Indeed Brussels and Louvain were separate counties though both under eg Godfrey II (d 1142).

(I say) I don't understand your point here. Louvain and Brabant joined by 1085, one hundred years before the coat of arms of Brabant appeared. On the capital issue I quote:
D. C. Boulger, in Belgium, p. 36:

"Here about the year 980 Charles, brother of King Lothaire of France, and greatgrandson of Charlemagne, who had been raised to the Duchy of Lower Lorraine by the Emperor of Germany, Otho II, built a castle, in close proximity to the Church of St. Gery. To this church he removed from Alost the body of Ste Gudule (niece of the first Pepin distinguished as "of Landen") and at a later date we shall see how her name became attached to the collegiate church of Brussels. Charles did not reign long, for on attempting to make good his claim to the French throne on his brother's death he was captured by Hugh Capet and died in prison at Orleans. One of his daughters named Gerberga had married Lambert, Count of Louvain, who, on his father-in-law's departure appropriated Brussels. This circumstance explains why Louvain and not Brussels was the first capital of Brabant, and why modern Brussels is not a separate bishopric."


(You say) We probably first see the Brabant arms Sable a lion rampant Or in the seal of Henry I, Duke of (Lower) Lotharingia and Duke of Brabant (from 1183 to 1235), whose seal, in an example from 1195, bore an equestrian figure carrying a shield with a lion and a banner with a lion (eg. see C Butkens: "Trophées de Brabant", 1637, t 1, Prevves [proofs], 47). It is therefore not obvious that the arms of the English kings descend in any progression _from_ these, as they were adopted in the same time-frame, but there may well have been the decision of related families to acknowledge common roots.
The house of Louvain however had a descent, via Godfrey I (d 1139) father of Adeliza of Louvain (d 1151), wife of Henry I of England and later of William d'Aubigny - the d'Aubigny earls of Arundel bore, perhaps not coincidentally, Gules a lion Or. That and the arms of similarly connected families are explored by various authors as a group; and the arms, on the balance of probability, reflect familial relationships rather than each being a cant or other reference to the territory concerned.

(I said) So according to this theory anything that resembles a lion (weren't they leopards?) is suspicious of having links to the king of England? Are you aware that this method could explain everything in heraldry? Not because is right but because it produces so many possibilities that at least one would be convenient enough to justify whatever you want to justify. On the contrary, my methodology is quite strict and demands that:
a) all visual traces have an explanation (not just a lion, a number or a tincture)
b) these explanations must be rooted in metonymies of the first bearer of the blazon, then transformed by linguistic metaplasms.
c) also they must be coherent, allowing redundancy in special cases: use the same language, uniqueness in metonymization, etc.
d) they have to depict a visual scene, meaning they aren't abstract at all, but heavily simplified sometimes.

(You said) A similarity in words does not take a methodology to spot nor any index 'value'. It just needs a knowledge of the words in the respective languages.

(I say) Well, you don't need it most of the time, unless you need, for example, to count cants. To measure is to know (Lord Kelvin).
Post by portingal
On the advice: "research the arms and the history and previous work
first", you've probably misread all I recommended in "Methodology (1)
http://heraldry.blogs.sapo.pt/9073.html
(I say) The title was correct but the link is wrong, please refer to:
http://heraldry.blogs.sapo.pt/9436.html



(You said) I shall cite just one as an example at this point, selected because you highlighted it amongst others in your slide presentation: the suggestion, in your 2009 thesis, that the Duchy of Brittany arms of a field of Ermine plain are derived from the Breton word "brizh" with your interpretation meaning of 'mottled' looks like guesswork (your thesis p 105). The Breton word 'Brizh' means colourful or multi-coloured (bigarré in French) rather than 'mottled', or 'mosqueado' as you have it in Portuguese. One might just conceive of a humouristic, tongue-in-cheek use of the simple black and white to refer to a word for multi-coloured. However, does it not seem more likely that, if you must insist on a cant here (assuming there is one at all) you could look at the word Ermine itself (hermine (FR), erminig (Breton), armiño (Sp), or arminhos as you say in your Portuguese text), Brittany having been called Armorica? There again, you could have claimed that Breizh was a similar sound to the French 'brizé' for broken. This perhaps is a more sensible an option than seeking to make use only of the Breton language. The French speaking Dukes (though they would probably have been conversant in Breton also) first used the ermine field alone in their arms in 1251 on the seal of Jean I, le Roux. It is a simplification of the original arms - Chequy Or and Azure a bordure Gules a canton of Ermine - as they descended from the house of Dreux and the canton had effectively been a brizure (see "L'armorial Le Breton", ed de Boos, Paris 2004, 140, no 62). So yes, possibly, in part, a sound-play on 'Breizh' but probably nothing whatsoever to do with mottled.


(I say) It would be difficult for me to propose a cant for: ermin (Britton: ermine) ~ Armorica (Latin: a western region of the present France). Their use didn't coincide chronologically in the first place; secondly you mix two languages, Latin and Britton which seems unjustifiable here & third, and mostly, because such a cant would produce the enormous discretion index of k = 1.83, which is much above the upper limit established as acceptable. For similar reasons I also couldn't compare "Breiz" with "brisè" (French: broken), there is no visual justification given by the ermines and you are comparing two referent metonymies (territory, and birth condition), which never happens in my method. The arms of Pierre Mauclerc is a mix of the arms of Dreux and Brittany, only appearing isolated with the Duke John III. He was married to the Duchess of Brittany, Alix de Thouars, and entitled as Regent of Brittany, Brittany belonged to her, not to him. Therefore, what you see in his arms at the canton are the older arms of Brittany (though seemingly not documented) and later retaken without the Dreux part.

Finally, let me quote my source on "brizh", which you've guessed as "my guesswork":
brizh: a. tacheté (French: mottled)
in Nouveau Dictionnaire Breton Français, Roparz Hemon


My best regards,

Carlos da Fonte
Derek Howard
2014-12-07 10:42:11 UTC
Permalink
Post by portingal
(DH said) However, there is evidence of lions having been used by Geoffrey of Anjou, perhaps as early as 1128 when he was knighted and given a shield by King Henry (according to Jean de Marmoutier, who described the shield. He was writing 1170-5, so before 1189), the plaque illustrating these arms that is at Le Mans and used to hang above his tomb has been dated, on stylistic grounds, to the period of the tomb, ca 1150-55. So lions were apparently connected with the Angevins before any came to England.
Cenomanum (Latin: Le Mans) ~ Senum Magnum (Latin: six each; big or powerful), producing six lions in the shield.
I say: Seni, -ae, -a does translate as a group of six. However, Ceno does not sound like Seno but has usually a hard 'k' sound - my Latin education was that, in Latin, C is always a palatal plosive (just confirmed by digging out my old Kennedy's Latin Primer). You are potentially to introducing a corruption of the language here to produce your result. Also, I am not sure why you dig into the old Latin name for Le Mans, especially when you are unwilling to do the same (below) regarding the Latin name for Armorica.

However, that was not the issue. The point was that you stated that Richard I had adopted the leopards of England and you mentioned 1189. I pointed out that, while he was the first in England to place the leopards on his shield, there was an evolution from earlier shields with a variety of theories as to why and which ones were the principal influences. At least you now accept that these predate 1189, and I hope also that you accept the leopards were adopted in 1198.
Post by portingal
(DH said) Incidentally, I forgot in my previous post to point out that, of course (as you apparently noticed in your thesis, p 102), lions passant were blazoned leopards, and "lion léopardé" is still the term in French blazon. There is not much of a cant between leopard and London. Your thesis merely claimed that they must be lions and the synonym was evident - not a very academic argument to my mind, despite your citation of Pastoureau that leopards were a type of lion, and certainly not a cant.
(CdF said) In fact, leopards are lions and vice-versa, for Pastoureau. I guess he is right because leopards don't have a mane and are spotted or black.
I say: Heraldic leopards are not spotted black. The mane is irrelevant.
Post by portingal
(CdF said) We must not confound the description of a blazon, the emblazonment, and the meaning of its components. However, one thing that must be stressed in my method is that one lion is different from three lions, a lion rampant from a leopard and a blue lion from a lion proper. But we must distinguish the heraldic tradition of emblazonment, different geographically anyway, from the actual primitive meaning that justify any visual features. If you find the cant Black ~ black, but you couldn't accept it because that tincture is described as "sable"? In that respect you may just say that a leopard is a passing lion that looks at the observer. On top of that all visual aspects of each shield have a stronger justification other than the sole personal taste of the author.
(DH said) That is unfortunate or perhaps too convenient depending on one's standpoint. However, you published here on this newsgroup a suggestion relating to "elderberry wine stains". For the third time of asking, are you happy to explain your reasoning here, please?
a) Take the word Brednells,
b) Change isolated signals (graphemes) and sounds (phonemes) to a different order or similar appearance [but not limited by linguistic similarity].
b1) Modify the order of the elements (metathesis). [I'd recommend you to start your essaying trials here, be bold here],
b2) The presence of elements, add or remove them (epenthesis & elision). [less frequent],
b3) Change the element to a different, but similar element (crasis, fortition, lenition, etc.) [similar to canting, but be aware, this is not canting],
c) Check the arms and see if the word(s) you've just found agree with the shapes and/or colours [in this case you already have the advantage of "knowing" that the referent metonymy is Brednells and that its heraldic trace are three blue diapers]
d) if they are not compatible repeat the process from a).
I say: Hmm. Searching amongst the obfuscating jargon, that sounds like: spilt the words you think of into any fractions you care, shuffle them at random, see what pops up, if it remotely can form a word with any sort of reference to the name, place, or anything else then there is a solution that has been 'found' and is 'measurable'. If not, shuffle again, etc. Not a process I would ever rely on.

As for you comment above at c), this shows the failure of your system. We do not 'know' there are three blue diapers at all. In fact I have shown that the opposite is true, there are no blue diapers for the term is a typo in the mid-19th century for a different term in use from the 18th century (itself most probably again a typo). But in any case, I asked you to explain your suggestion relating to "elderberry wine stains". You have chosen, again, not to do so and it is clear that asking further is a waste of time. We are left to draw our own conclusions.
Post by portingal
(CdF said) It's curious to note that you were able to "measure" the canting
(DH said) Quite the opposite. I said it is _not_ possible to "measure" cants!
(CdF said) What I meant is that you've said one thing and did (unintentionally, for sure) the opposite. You did it again for Leopard ~ London, which you call a cant
I say: This is absurd. I did _not_ call it a cant. I do not regard it as a cant in any way, shape or form. I said that _your_ claim that it was a cant related to the capital of the kingdom was simply not true as London was not the capital. You had to produce your own definition of the word capital to try to justify yourself.
Post by portingal
(CdF said) (that is, the discretion index "k" is bigger than 1, in my terms). But does everybody concur that Sycomore is a cant for Sagremor? Can you imagine that people don't always agree on cants? How can you harmonize that? The discretion index is my contribution to answer these questions.
I say; But you have failed to show _how_ it answers any question, let alone how anything reliable can be generated!
Post by portingal
(DH said) The Counts of Louvain appear to have had the arms Gules a fess Argent. The Dukes of Brabant as such were first created 1184/5 having been formerly landgraves. The Duchy (and formerly landgraveship) of Brabant was originally between the Zenne and Dender rivers and did not include Louvain (a separate county), so it is difficult to say that the arms of the Dukes of Brabant was derived from the capital of the _Duchy_ (Brussels). Indeed Brussels and Louvain were separate counties though both under eg Godfrey II (d 1142).
"Here about the year 980 Charles, brother of King Lothaire of France, and greatgrandson of Charlemagne, who had been raised to the Duchy of Lower Lorraine by the Emperor of Germany, Otho II, built a castle, in close proximity to the Church of St. Gery. To this church he removed from Alost the body of Ste Gudule (niece of the first Pepin distinguished as "of Landen") and at a later date we shall see how her name became attached to the collegiate church of Brussels. Charles did not reign long, for on attempting to make good his claim to the French throne on his brother's death he was captured by Hugh Capet and died in prison at Orleans. One of his daughters named Gerberga had married Lambert, Count of Louvain, who, on his father-in-law's departure appropriated Brussels. This circumstance explains why Louvain and not Brussels was the first capital of Brabant, and why modern Brussels is not a separate bishopric."
I say: I think we shall have to differ substantially on the early history of the Duchy of Brabant, whose capital was for a millennium Brussels. Though the counts of Louvain came to acquire Brussels you should be aware that Brussels was a separate county in the 11-12th centuries. Lambert II is named as count of Brussels in a diploma of Henri IV, King of the Romans in 1062. By 1086 the comital acts refer to Henri III as "comte et avoué du pays de Brabant", after 1106 the counts were referred to by their ducal title. However, the counts often used their title of counts of Louvain at this time on other documents. It must be borne in mind this was a separate county.

Lambert II, erected the new castle on the Coudenberg and erected the parish church of Saint-Michel into a minster with a dozen secular canons with care of the relics of St Gudule. Lambert II also laid out the first walls to Brussels completed by his successor Henri II. However, the counts of Brussels and Louvain had transferred their residence there earlier. << Lambert I et ses successeurs, .... séjourneront plus à Louvain qu'à Bruxelles >>. The Duchy of Brabant was always ruled from Brussels - not from Louvain. See : "Histoire de Bruxelles", ed. Mina Martens, Editions Universitaires, pub Privat, Toulouse 1979, pp 47-54. This is in Chapter 3, entitled << Bruxelles centre d'un comté de type seigneurial (1040-1291) >>. Martens was the city archivist and professor at the ULB university. Incidentally, FWIW, I am posting from Brussels.

This I hope settles the issue that your claim that the arms of Brabant derive from the name of its capital does not stand up to scrutiny.
Post by portingal
(DH said) We probably first see the Brabant arms Sable a lion rampant Or in the seal of Henry I, Duke of (Lower) Lotharingia and Duke of Brabant (from 1183 to 1235), whose seal, in an example from 1195, bore an equestrian figure carrying a shield with a lion and a banner with a lion (eg. see C Butkens: "Trophées de Brabant", 1637, t 1, Prevves [proofs], 47). It is therefore not obvious that the arms of the English kings descend in any progression _from_ these, as they were adopted in the same time-frame, but there may well have been the decision of related families to acknowledge common roots.
The house of Louvain however had a descent, via Godfrey I (d 1139) father of Adeliza of Louvain (d 1151), wife of Henry I of England and later of William d'Aubigny - the d'Aubigny earls of Arundel bore, perhaps not coincidentally, Gules a lion Or. That and the arms of similarly connected families are explored by various authors as a group; and the arms, on the balance of probability, reflect familial relationships rather than each being a cant or other reference to the territory concerned.
(CdF said) So according to this theory anything that resembles a lion (weren't they leopards?) is suspicious of having links to the king of England?
I say: Leopards were the blazon for lions passant guardant, lions are rampant by default, as you know. My earlier point about lions passant guardant is that they were blazoned leopards not lions. What I am pointing out is that there are a number of competing theories (and that is all they are) about where the inspiration for the English leopards came from. One is that the Angevins first adopted lions prior to Richard I's first use of lions rampant, he later adopting leopards, another theory is that the leopards derive from a familiar grouping in which different families or branches used different lions but all adopted around the same period so not necessarily descended one from another. There are various theories about the adoption of the lion of Brabant, one of which is that it is a cant on Louvain/Leuven (but _not_ because it was a capital of Brabant as you have said - it was not). What _is_ certain is that your claim that the English king adopted lions/leopards because of a convoluted and forced cant on the name of London simply does not stand up.

The lion in the arms of Brabant was probably born at the end of the 12th century. The symbol was possibly adopted by Godfrey III (reigned 1142-1190), sometime duke of Lower Lorraine, who was the first to place a lion on his standard. His son and successor, Henry I (1190-1235), used, in the early years of his reign, an equestrian seal on which a shield bearing a lion is clearly visible. (See "Gemeentewapens in België, Vlaanderen en Brussel", ed. Viaene-Awouters and Warlop, Brussel 2002, vol 1, p 81). So, the Brabant lion may be a precursor of the English arms, as it appears to be earlier in date than the adoption by Richard I of the three leopards in his second Great Seal of 1198 but is not so much earlier than the lion(s) of his first Great Seal.

One of the theories as to the origin of the lion in the arms of Henri I of Brabant is that he participated in the German crusade of 1197 with, amongst others, Leo III, King of Armenia, whose used a lion symbol, perhaps as a cant. However, as we see above it looks as if the design was already in use by Henri's father. There again, Leo may have used a lion due to having been crowned by the Archbishop of Mainz on behalf of Henry VI, Staufer Emperor. Indeed, Richard I may just have used the three leopards in 1198 following his oath of allegiance to Henry VI in 1194 (when he first mooted changing his seal), for the Staufers used a lion, which Philip of Swabia changed in 1198 to three leopards. Philip's action in turn has been said to be possibly in imitation of the arms of the competing, Welf, Emperor Otto IV. So there are many possible interlinking influences, any one or all of which could have been effective or perhaps none. It is impossible to assess these by a mathematic method still less to create any certainty or preference by your system.

Anyhow, before we discuss the many various options regarding the origin of the lions and leopards of England, could I suggest that you also read Paul Adam's further points in "Archivum Heraldicum" 1954 and Robert Viel's "Les origines symboliques du blason", Paris 1972, which, sadly, I see are not in your thesis bibliography. You may for instance wish to address their points on the arms of Hugues IV comte de Saint-Pol and Prince John.
Post by portingal
(CdF said) Are you aware that this method could explain everything in heraldry?
I say: No I am not aware of that because I do not believe any 'method' can explain everything in heraldry. It is this penchant of yours for a universal 'method' that I am criticising.
Post by portingal
a) all visual traces have an explanation (not just a lion, a number or a tincture)
b) these explanations must be rooted in metonymies of the first bearer of the blazon, then transformed by linguistic metaplasms.
c) also they must be coherent, allowing redundancy in special cases: use the same language, uniqueness in metonymization, etc.
d) they have to depict a visual scene, meaning they aren't abstract at all, but heavily simplified sometimes.
(DH said) A similarity in words does not take a methodology to spot nor any index 'value'. It just needs a knowledge of the words in the respective languages.
(CdF said) Well, you don't need it most of the time, unless you need, for example, to count cants. To measure is to know (Lord Kelvin).
On the advice: "research the arms and the history and previous work
first", you've probably misread all I recommended in "Methodology (1)
http://heraldry.blogs.sapo.pt/9073.html
http://heraldry.blogs.sapo.pt/9436.html
(DH said) I shall cite just one as an example at this point, selected because you highlighted it amongst others in your slide presentation: the suggestion, in your 2009 thesis, that the Duchy of Brittany arms of a field of Ermine plain are derived from the Breton word "brizh" with your interpretation meaning of 'mottled' looks like guesswork (your thesis p 105). The Breton word 'Brizh' means colourful or multi-coloured (bigarré in French) rather than 'mottled', or 'mosqueado' as you have it in Portuguese. One might just conceive of a humouristic, tongue-in-cheek use of the simple black and white to refer to a word for multi-coloured. However, does it not seem more likely that, if you must insist on a cant here (assuming there is one at all) you could look at the word Ermine itself (hermine (FR), erminig (Breton), armiño (Sp), or arminhos as you say in your Portuguese text), Brittany having been called Armorica? There again, you could have claimed that Breizh was a similar sound to the French 'brizé' for broken. This perhaps is a more sensible an option than seeking to make use only of the Breton language. The French speaking Dukes (though they would probably have been conversant in Breton also) first used the ermine field alone in their arms in 1251 on the seal of Jean I, le Roux. It is a simplification of the original arms - Chequy Or and Azure a bordure Gules a canton of Ermine - as they descended from the house of Dreux and the canton had effectively been a brizure (see "L'armorial Le Breton", ed de Boos, Paris 2004, 140, no 62). So yes, possibly, in part, a sound-play on 'Breizh' but probably nothing whatsoever to do with mottled.
(CdF said) It would be difficult for me to propose a cant for: ermin (Britton: ermine) ~ Armorica (Latin: a western region of the present France). Their use didn't coincide chronologically in the first place; secondly you mix two languages, Latin and Britton which seems unjustifiable here & third, and mostly, because such a cant would produce the enormous discretion index of k = 1.83, which is much above the upper limit established as acceptable. For similar reasons I also couldn't compare "Breiz" with "brisè" (French: broken), there is no visual justification given by the ermines and you are comparing two referent metonymies (territory, and birth condition), which never happens in my method. The arms of Pierre Mauclerc is a mix of the arms of Dreux and Brittany, only appearing isolated with the Duke John III. He was married to the Duchess of Brittany, Alix de Thouars, and entitled as Regent of Brittany, Brittany belonged to her, not to him. Therefore, what you see in his arms at the canton are the older arms of Brittany (though seemingly not documented) and later retaken without the Dreux part.
I say: The toponym Armorica is Latin but thought to be based on the Celtic phrase "are-mori" meaning "on/at [the] sea", in modern Welsh: "ar y môr". The Latin toponym was still in use in the Middle Ages in Arthurian legends, see also Geoffrey of Monmouth's "Historia Regum Britanniae" for a number of references. So it would readily have been used and recognised by the Francophone chivalric community. I do not advocate that this is the source of a cant, just that such is a possibility ignored or dismissed by you.
Second I wonder if you have written to de Boos to correct his interpretation of the Breton arms that I cited and, if so, what was his reaction?
Third, what is your evidence that ermine was the older arms of Brittany? The banner of Conan IV of Brittany bore no resemblance to ermine (Or and Gules horizontal bands if Wikipedia is to believed). The use of cantons to bear the arms of representation of a wife's inheritance had not yet been established. Constance of Penthièvre would probably have used the banner of her father. None of her husbands used ermine, whether as a canton or otherwise, though both were Dukes jure uxeris. Neither did Alis de Thuars nor as far as we know did her half-brother Arthur (who may have borne Gules a lion rampant Or, according to Wiki, citing the admittedly very un-academic leaflet by Kervella & Bodlore-Penlaez, <<Guide des drapeaux bretons et celtes>>, 2008), nor did his imprisoned sister Eleanor.

My earlier quote from de Boos, that it was a brisure, is substantiated by the following:
"Pierre de Dreux, cadet de sa famille, se vit attribuer une brisure fréquente chez les princes voués à la cléricature: un franc-quartier d'hermine (fn 5). Ce prince fut imposé en 1212 par le roi de France Philippe Auguste comme époux à la duchesse Alix. Celle-ci ne disposant pas d'armoiries, Pierre Mauclerc usa de ses propres armes comme baillistre de Bretagne et ses successeurs firent de même."
<http://fr.wikipedia.org/wiki/Drapeau_de_la_Bretagne#La_banni.C3.A8re_d.27hermine>
Footnote 5 cites: Michel Pastoureau, <<L'hermine : de l'héraldique ducale à la symbolique de l'État>>, dans Jean Kerherve et Tanguy Daniel, 1491, la Bretagne terre d'Europe : colloque international, Brest, 2-4 octobre 1991, Brest, Centre de recherche bretonne et celtique, 1992.

I am sure you should also be conversant with M Pastoureau <<Traité d'héraldique>>, 4e edition, Paris 2003, p 184, where Pastoureau states <<Le franc-quartier d'hermine plain de Pierre Mauclerc, duc de Bretagne, second fils de Robert de Dreux, n'a pas d'autre origine. Il n'a rien de spécifiquement breton, et la célébre écu d'hermine plain adopté par les ducs de Bretagne en 1316 n'est donc que la dérivé de la banale brisure d'un cadet de la maison de Dreux>>. He footnotes his own 1973 study << L'héraldique brettonne ...>> and, for the use of cantons ermine as a brisure elsewhere, de Raadt 's <<Sceaux armoriées des Pays-Bas>>, Bruxelles 1989, v 1, 72-4.
Post by portingal
brizh: a. tacheté (French: mottled)
in Nouveau Dictionnaire Breton Français, Roparz Hemon
I say: Thanks. But, given the studies of Pastoureau and de Boos, this is hardly relevant. It is mildly interesting, as this does not agree at all with the Breton-French dictionary that I used! However I have now looked at <http://www.agencebretagnepresse.com/cgi-bin/dico.cgi?dico=breton&key=brizh&buton=Traduire> which gives for "Brizh": "tacheté, pie, & moucheté"; ie in English: "spotted", "pied" or "mottled". The same from Dictionnaires bilingues de Francis Favereau / Edition Skol Vreizh at <http://www.arkaevraz.net/dicobzh/index.php>. Meanwhile, Freelang at <http://www.freelang.com/enligne/breton.php>: "tâcheté, bariolé, bigarré" (ie "spotted", "motley", "variegated", "varicoloured", "patchwork", "pied"). Which is the same as given by http://br.wiktionary.org/wiki/brizh. So the jury must be out on this as there seems to be no consistency on the question of colour or black/white. I find it odd though that you seem to wish to use a language, Breton, not known for its heraldic use. Finally, I suggest that a brisure used widely In French and Flemish speaking areas outside the Celtic lands is most unlikely to derive from a translation of a Breton term.

Best regards
Derek Howard
portingal
2014-12-19 20:21:05 UTC
Permalink
Post by portingal
(DH said) However, there is evidence of lions having been used by Geoffrey of Anjou, perhaps as early as 1128 when he was knighted and given a shield by King Henry (according to Jean de Marmoutier, who described the shield. He was writing 1170-5, so before 1189), the plaque illustrating these arms that is at Le Mans and used to hang above his tomb has been dated, on stylistic grounds, to the period of the tomb, ca 1150-55. So lions were apparently connected with the Angevins before any came to England.
Cenomanum (Latin: Le Mans) ~ Senum Magnum (Latin: six each; big or powerful), producing six lions in the shield.
I say: Seni, -ae, -a does translate as a group of six. However, Ceno does not sound like Seno but has usually a hard 'k' sound - my Latin education was that, in Latin, C is always a palatal plosive (just confirmed by digging out my old Kennedy's Latin Primer). You are potentially to introducing a corruption of the language here to produce your result.


####### CDF says: Sorry to contradict you here, but in Medieval Latin "ce" and "ci" became "sse" and "ssi" under assibilation. You've probably learned Classical Latin, but that was spoken 1,000 years before heraldry happened.


Also, I am not sure why you dig into the old Latin name for Le Mans, especially when you are unwilling to do the same (below) regarding the Latin name for Armorica.


####### CDF says: One of the reasons is that Armorica didn't derive into Breizh or even Brittany whereas Le Mans derives from Cenomanum.


However, that was not the issue. The point was that you stated that Richard I had adopted the leopards of England and you mentioned 1189. I pointed out that, while he was the first in England to place the leopards on his shield, there was an evolution from earlier shields with a variety of theories as to why and which ones were the principal influences. At least you now accept that these predate 1189, and I hope also that you accept the leopards were adopted in 1198.


####### CDF says: The dates aren't easy to determine, we may just observe the association of written documents (hopefully dated) and the seals attached to tem. In the case of Richard I it seems to be a reasonable association and as he was crowned in 1189 ... But we can't say for certain that such and such seals were the very first to be made.
Post by portingal
(DH said) Incidentally, I forgot in my previous post to point out that, of course (as you apparently noticed in your thesis, p 102), lions passant were blazoned leopards, and "lion léopardé" is still the term in French blazon. There is not much of a cant between leopard and London. Your thesis merely claimed that they must be lions and the synonym was evident - not a very academic argument to my mind, despite your citation of Pastoureau that leopards were a type of lion, and certainly not a cant.
(CdF said) In fact, leopards are lions and vice-versa, for Pastoureau. I guess he is right because leopards don't have a mane and are spotted or black.
I say: Heraldic leopards are not spotted black. The mane is irrelevant.


####### CDF says: As you may verify upwards I didn't say spotted black, I said spotted (Panthera pardus) or black (melanistic Panthera pardus).
Post by portingal
(CdF said) We must not confound the description of a blazon, the emblazonment, and the meaning of its components. However, one thing that must be stressed in my method is that one lion is different from three lions, a lion rampant from a leopard and a blue lion from a lion proper. But we must distinguish the heraldic tradition of emblazonment, different geographically anyway, from the actual primitive meaning that justify any visual features. If you find the cant Black ~ black, but you couldn't accept it because that tincture is described as "sable"? In that respect you may just say that a leopard is a passing lion that looks at the observer. On top of that all visual aspects of each shield have a stronger justification other than the sole personal taste of the author.
(DH said) That is unfortunate or perhaps too convenient depending on one's standpoint. However, you published here on this newsgroup a suggestion relating to "elderberry wine stains". For the third time of asking, are you happy to explain your reasoning here, please?
a) Take the word Brednells,
b) Change isolated signals (graphemes) and sounds (phonemes) to a different order or similar appearance [but not limited by linguistic similarity].
b1) Modify the order of the elements (metathesis). [I'd recommend you to start your essaying trials here, be bold here],
b2) The presence of elements, add or remove them (epenthesis & elision). [less frequent],
b3) Change the element to a different, but similar element (crasis, fortition, lenition, etc.) [similar to canting, but be aware, this is not canting],
c) Check the arms and see if the word(s) you've just found agree with the shapes and/or colours [in this case you already have the advantage of "knowing" that the referent metonymy is Brednells and that its heraldic trace are three blue diapers]
d) if they are not compatible repeat the process from a).
I say: Hmm. Searching amongst the obfuscating jargon, that sounds like: spilt the words you think of into any fractions you care, shuffle them at random, see what pops up, if it remotely can form a word with any sort of reference to the name, place, or anything else then there is a solution that has been 'found' and is 'measurable'. If not, shuffle again, etc. Not a process I would ever rely on.

As for you comment above at c), this shows the failure of your system. We do not 'know' there are three blue diapers at all. In fact I have shown that the opposite is true, there are no blue diapers for the term is a typo in the mid-19th century for a different term in use from the 18th century (itself most probably again a typo). But in any case, I asked you to explain your suggestion relating to "elderberry wine stains". You have chosen, again, not to do so and it is clear that asking further is a waste of time. We are left to draw our own conclusions.


####### CDF says: There is no royal road for Heraldry.
Post by portingal
(CdF said) It's curious to note that you were able to "measure" the canting
(DH said) Quite the opposite. I said it is _not_ possible to "measure" cants!
(CdF said) What I meant is that you've said one thing and did (unintentionally, for sure) the opposite. You did it again for Leopard ~ London, which you call a cant
I say: This is absurd. I did _not_ call it a cant. I do not regard it as a cant in any way, shape or form. I said that _your_ claim that it was a cant related to the capital of the kingdom was simply not true as London was not the capital. You had to produce your own definition of the word capital to try to justify yourself.



####### CDF says: Sorry, you're right, you deny it as a cant, but that is taking a position on it, isn't it? "That is, the discretion index "k" is bigger than 1, in my terms" meaning that London and Leopard don't cant or pun. (this proposition was yours, not mine).
Post by portingal
(CdF said) (that is, the discretion index "k" is bigger than 1, in my terms). But does everybody concur that Sycomore is a cant for Sagremor? Can you imagine that people don't always agree on cants? How can you harmonize that? The discretion index is my contribution to answer these questions.
I say; But you have failed to show _how_ it answers any question, let alone how anything reliable can be generated!


####### CDF says: 7,000 questions answered, till now. Probably you need 10,000, they will come, please be patient.
Post by portingal
(DH said) The Counts of Louvain appear to have had the arms Gules a fess Argent. The Dukes of Brabant as such were first created 1184/5 having been formerly landgraves. The Duchy (and formerly landgraveship) of Brabant was originally between the Zenne and Dender rivers and did not include Louvain (a separate county), so it is difficult to say that the arms of the Dukes of Brabant was derived from the capital of the _Duchy_ (Brussels). Indeed Brussels and Louvain were separate counties though both under eg Godfrey II (d 1142).
"Here about the year 980 Charles, brother of King Lothaire of France, and greatgrandson of Charlemagne, who had been raised to the Duchy of Lower Lorraine by the Emperor of Germany, Otho II, built a castle, in close proximity to the Church of St. Gery. To this church he removed from Alost the body of Ste Gudule (niece of the first Pepin distinguished as "of Landen") and at a later date we shall see how her name became attached to the collegiate church of Brussels. Charles did not reign long, for on attempting to make good his claim to the French throne on his brother's death he was captured by Hugh Capet and died in prison at Orleans. One of his daughters named Gerberga had married Lambert, Count of Louvain, who, on his father-in-law's departure appropriated Brussels. This circumstance explains why Louvain and not Brussels was the first capital of Brabant, and why modern Brussels is not a separate bishopric."
I say: I think we shall have to differ substantially on the early history of the Duchy of Brabant, whose capital was for a millennium Brussels. Though the counts of Louvain came to acquire Brussels you should be aware that Brussels was a separate county in the 11-12th centuries. Lambert II is named as count of Brussels in a diploma of Henri IV, King of the Romans in 1062. By 1086 the comital acts refer to Henri III as "comte et avoué du pays de Brabant", after 1106 the counts were referred to by their ducal title. However, the counts often used their title of counts of Louvain at this time on other documents. It must be borne in mind this was a separate county.


####### CDF says: After all, it's not me that mixes them up.


Lambert II, erected the new castle on the Coudenberg and erected the parish church of Saint-Michel into a minster with a dozen secular canons with care of the relics of St Gudule. Lambert II also laid out the first walls to Brussels completed by his successor Henri II. However, the counts of Brussels and Louvain had transferred their residence there earlier. << Lambert I et ses successeurs, .... séjourneront plus à Louvain qu'à Bruxelles >>. The Duchy of Brabant was always ruled from Brussels - not from Louvain. See : "Histoire de Bruxelles", ed. Mina Martens, Editions Universitaires, pub Privat, Toulouse 1979, pp 47-54. This is in Chapter 3, entitled << Bruxelles centre d'un comté de type seigneurial (1040-1291) >>. Martens was the city archivist and professor at the ULB university. Incidentally, FWIW, I am posting from Brussels.

This I hope settles the issue that your claim that the arms of Brabant derive from the name of its capital does not stand up to scrutiny.



####### CDF says: So, I see that you don't agree with D.C. Boulger. As you probably know, the word "capital" is a modern development. Deriving from the Latin word caput/capitis, which later referred the head of a territory, which could derive from the main residence of the Counts/Dukes, its importance/size as a city, the place of crowning, the tradition of being an ancient siege of power (the case of Louvain), etc. But I am not closed to suggestions and eventually I could check your proposal of Brussels as the capital of Brabant whenever I'm convinced this is a historically sound fact.
Post by portingal
(DH said) We probably first see the Brabant arms Sable a lion rampant Or in the seal of Henry I, Duke of (Lower) Lotharingia and Duke of Brabant (from 1183 to 1235), whose seal, in an example from 1195, bore an equestrian figure carrying a shield with a lion and a banner with a lion (eg. see C Butkens: "Trophées de Brabant", 1637, t 1, Prevves [proofs], 47). It is therefore not obvious that the arms of the English kings descend in any progression _from_ these, as they were adopted in the same time-frame, but there may well have been the decision of related families to acknowledge common roots.
The house of Louvain however had a descent, via Godfrey I (d 1139) father of Adeliza of Louvain (d 1151), wife of Henry I of England and later of William d'Aubigny - the d'Aubigny earls of Arundel bore, perhaps not coincidentally, Gules a lion Or. That and the arms of similarly connected families are explored by various authors as a group; and the arms, on the balance of probability, reflect familial relationships rather than each being a cant or other reference to the territory concerned.
(CdF said) So according to this theory anything that resembles a lion (weren't they leopards?) is suspicious of having links to the king of England?
I say: Leopards were the blazon for lions passant guardant, lions are rampant by default, as you know. My earlier point about lions passant guardant is that they were blazoned leopards not lions. What I am pointing out is that there are a number of competing theories (and that is all they are) about where the inspiration for the English leopards came from. One is that the Angevins first adopted lions prior to Richard I's first use of lions rampant, he later adopting leopards, another theory is that the leopards derive from a familiar grouping in which different families or branches used different lions but all adopted around the same period so not necessarily descended one from another. There are various theories about the adoption of the lion of Brabant, one of which is that it is a cant on Louvain/Leuven (but _not_ because it was a capital of Brabant as you have said - it was not). What _is_ certain is that your claim that the English king adopted lions/leopards because of a convoluted and forced cant on the name of London simply does not stand up.

The lion in the arms of Brabant was probably born at the end of the 12th century. The symbol was possibly adopted by Godfrey III (reigned 1142-1190), sometime duke of Lower Lorraine, who was the first to place a lion on his standard. His son and successor, Henry I (1190-1235), used, in the early years of his reign, an equestrian seal on which a shield bearing a lion is clearly visible. (See "Gemeentewapens in België, Vlaanderen en Brussel", ed. Viaene-Awouters and Warlop, Brussel 2002, vol 1, p 81). So, the Brabant lion may be a precursor of the English arms, as it appears to be earlier in date than the adoption by Richard I of the three leopards in his second Great Seal of 1198 but is not so much earlier than the lion(s) of his first Great Seal.

One of the theories as to the origin of the lion in the arms of Henri I of Brabant is that he participated in the German crusade of 1197 with, amongst others, Leo III, King of Armenia, whose used a lion symbol, perhaps as a cant. However, as we see above it looks as if the design was already in use by Henri's father. There again, Leo may have used a lion due to having been crowned by the Archbishop of Mainz on behalf of Henry VI, Staufer Emperor. Indeed, Richard I may just have used the three leopards in 1198 following his oath of allegiance to Henry VI in 1194 (when he first mooted changing his seal), for the Staufers used a lion, which Philip of Swabia changed in 1198 to three leopards. Philip's action in turn has been said to be possibly in imitation of the arms of the competing, Welf, Emperor Otto IV. So there are many possible interlinking influences, any one or all of which could have been effective or perhaps none. It is impossible to assess these by a mathematic method still less to create any certainty or preference by your system.


####### CDF says: Quite frankly, these multiple possibilities you've mentioned seems to me more like a complete disorientation and lack of method, which will never lead anywhere.


Anyhow, before we discuss the many various options regarding the origin of the lions and leopards of England, could I suggest that you also read Paul Adam's further points in "Archivum Heraldicum" 1954 and Robert Viel's "Les origines symboliques du blason", Paris 1972, which, sadly, I see are not in your thesis bibliography. You may for instance wish to address their points on the arms of Hugues IV comte de Saint-Pol and Prince John.



####### CDF says: It is clear to me that blazons aren't (fundamentally) symbols at their creation, only afterwards; I was then mainly interested in their inception. This doesn't mean that symbols can't be used auxiliary.
Post by portingal
(CdF said) Are you aware that this method could explain everything in heraldry?
I say: No I am not aware of that because I do not believe any 'method' can explain everything in heraldry. It is this penchant of yours for a universal 'method' that I am criticising.


####### CDF says: I never said for one moment and I do not believe that my method explains everything in heraldry. This was clearly stated in Stuttgart.
Post by portingal
a) all visual traces have an explanation (not just a lion, a number or a tincture)
b) these explanations must be rooted in metonymies of the first bearer of the blazon, then transformed by linguistic metaplasms.
c) also they must be coherent, allowing redundancy in special cases: use the same language, uniqueness in metonymization, etc.
d) they have to depict a visual scene, meaning they aren't abstract at all, but heavily simplified sometimes.
(DH said) A similarity in words does not take a methodology to spot nor any index 'value'. It just needs a knowledge of the words in the respective languages.
(CdF said) Well, you don't need it most of the time, unless you need, for example, to count cants. To measure is to know (Lord Kelvin).
On the advice: "research the arms and the history and previous work
first", you've probably misread all I recommended in "Methodology (1)
http://heraldry.blogs.sapo.pt/9073.html
http://heraldry.blogs.sapo.pt/9436.html
(DH said) I shall cite just one as an example at this point, selected because you highlighted it amongst others in your slide presentation: the suggestion, in your 2009 thesis, that the Duchy of Brittany arms of a field of Ermine plain are derived from the Breton word "brizh" with your interpretation meaning of 'mottled' looks like guesswork (your thesis p 105). The Breton word 'Brizh' means colourful or multi-coloured (bigarré in French) rather than 'mottled', or 'mosqueado' as you have it in Portuguese. One might just conceive of a humouristic, tongue-in-cheek use of the simple black and white to refer to a word for multi-coloured. However, does it not seem more likely that, if you must insist on a cant here (assuming there is one at all) you could look at the word Ermine itself (hermine (FR), erminig (Breton), armiño (Sp), or arminhos as you say in your Portuguese text), Brittany having been called Armorica? There again, you could have claimed that Breizh was a similar sound to the French 'brizé' for broken. This perhaps is a more sensible an option than seeking to make use only of the Breton language. The French speaking Dukes (though they would probably have been conversant in Breton also) first used the ermine field alone in their arms in 1251 on the seal of Jean I, le Roux. It is a simplification of the original arms - Chequy Or and Azure a bordure Gules a canton of Ermine - as they descended from the house of Dreux and the canton had effectively been a brizure (see "L'armorial Le Breton", ed de Boos, Paris 2004, 140, no 62). So yes, possibly, in part, a sound-play on 'Breizh' but probably nothing whatsoever to do with mottled.
(CdF said) It would be difficult for me to propose a cant for: ermin (Britton: ermine) ~ Armorica (Latin: a western region of the present France). Their use didn't coincide chronologically in the first place; secondly you mix two languages, Latin and Britton which seems unjustifiable here & third, and mostly, because such a cant would produce the enormous discretion index of k = 1.83, which is much above the upper limit established as acceptable. For similar reasons I also couldn't compare "Breiz" with "brisè" (French: broken), there is no visual justification given by the ermines and you are comparing two referent metonymies (territory, and birth condition), which never happens in my method. The arms of Pierre Mauclerc is a mix of the arms of Dreux and Brittany, only appearing isolated with the Duke John III. He was married to the Duchess of Brittany, Alix de Thouars, and entitled as Regent of Brittany, Brittany belonged to her, not to him. Therefore, what you see in his arms at the canton are the older arms of Brittany (though seemingly not documented) and later retaken without the Dreux part.
I say: The toponym Armorica is Latin but thought to be based on the Celtic phrase "are-mori" meaning "on/at [the] sea", in modern Welsh: "ar y môr". The Latin toponym was still in use in the Middle Ages in Arthurian legends, see also Geoffrey of Monmouth's "Historia Regum Britanniae" for a number of references. So it would readily have been used and recognised by the Francophone chivalric community. I do not advocate that this is the source of a cant, just that such is a possibility ignored or dismissed by you.
Second I wonder if you have written to de Boos to correct his interpretation of the Breton arms that I cited and, if so, what was his reaction?
Third, what is your evidence that ermine was the older arms of Brittany? The banner of Conan IV of Brittany bore no resemblance to ermine (Or and Gules horizontal bands if Wikipedia is to believed). The use of cantons to bear the arms of representation of a wife's inheritance had not yet been established. Constance of Penthièvre would probably have used the banner of her father. None of her husbands used ermine, whether as a canton or otherwise, though both were Dukes jure uxeris. Neither did Alis de Thuars nor as far as we know did her half-brother Arthur (who may have borne Gules a lion rampant Or, according to Wiki, citing the admittedly very un-academic leaflet by Kervella & Bodlore-Penlaez, <<Guide des drapeaux bretons et celtes>>, 2008), nor did his imprisoned sister Eleanor.

My earlier quote from de Boos, that it was a brisure, is substantiated by the following:
"Pierre de Dreux, cadet de sa famille, se vit attribuer une brisure fréquente chez les princes voués à la cléricature: un franc-quartier d'hermine (fn 5). Ce prince fut imposé en 1212 par le roi de France Philippe Auguste comme époux à la duchesse Alix. Celle-ci ne disposant pas d'armoiries, Pierre Mauclerc usa de ses propres armes comme baillistre de Bretagne et ses successeurs firent de même."
<http://fr.wikipedia.org/wiki/Drapeau_de_la_Bretagne#La_banni.C3.A8re_d.27hermine>
Footnote 5 cites: Michel Pastoureau, <<L'hermine : de l'héraldique ducale à la symbolique de l'État>>, dans Jean Kerherve et Tanguy Daniel, 1491, la Bretagne terre d'Europe : colloque international, Brest, 2-4 octobre 1991, Brest, Centre de recherche bretonne et celtique, 1992.



####### CDF says: This is just an opinion of De Boos and it concurs with mine. The difference is that he thinks the "brisure" appears because he was a princely cleric, according to you (Was he? And was allowed to marry? Isn't it just a misinterpretation of the late nickname Mauclerc?), whereas I say it's because of his marriage to the Duchess of Brittany (higher in social rank than him, a second son of a count). But, of course, if you can show me a representation of these arms before he was married I am ready to change my opinion ...


I am sure you should also be conversant with M Pastoureau <<Traité d'héraldique>>, 4e edition, Paris 2003, p 184, where Pastoureau states <<Le franc-quartier d'hermine plain de Pierre Mauclerc, duc de Bretagne, second fils de Robert de Dreux, n'a pas d'autre origine. Il n'a rien de spécifiquement breton, et la célébre écu d'hermine plain adopté par les ducs de Bretagne en 1316 n'est donc que la dérivé de la banale brisure d'un cadet de la maison de Dreux>>. He footnotes his own 1973 study << L'héraldique brettonne ...>> and, for the use of cantons ermine as a brisure elsewhere, de Raadt 's <<Sceaux armoriées des Pays-Bas>>, Bruxelles 1989, v 1, 72-4.


####### CDF says: I prefer to be aside my Britton friends who think Breizh (Brittany) is the reason behind the ermine spots (Brizh). I was unaware of that, thou, when the thesis was published. They should know a lot more about the Britton language than me and maybe even more than Pastoureau.
Post by portingal
brizh: a. tacheté (French: mottled)
in Nouveau Dictionnaire Breton Français, Roparz Hemon
I say: Thanks. But, given the studies of Pastoureau and de Boos, this is hardly relevant. It is mildly interesting, as this does not agree at all with the Breton-French dictionary that I used! However I have now looked at <http://www.agencebretagnepresse.com/cgi-bin/dico.cgi?dico=breton&key=brizh&buton=Traduire> which gives for "Brizh": "tacheté, pie, & moucheté"; ie in English: "spotted", "pied" or "mottled". The same from Dictionnaires bilingues de Francis Favereau / Edition Skol Vreizh at <http://www.arkaevraz.net/dicobzh/index.php>. Meanwhile, Freelang at <http://www.freelang.com/enligne/breton.php>: "tâcheté, bariolé, bigarré" (ie "spotted", "motley", "variegated", "varicoloured", "patchwork", "pied"). Which is the same as given by http://br.wiktionary.org/wiki/brizh. So the jury must be out on this as there seems to be no consistency on the question of colour or black/white. I find it odd though that you seem to wish to use a language, Breton, not known for its heraldic use. Finally, I suggest that a brisure used widely In French and Flemish speaking areas outside the Celtic lands is most unlikely to derive from a translation of a Breton term.



####### CDF says: "Il est interdit de cracher sur le sol et parler breton" was written at some western French trains stations not a long time ago. Yes, Britton was well used in the Middle Ages, but forbidden. You say that it wasn't used for blazons but I see it as a consequence of this forced oblivion that possibly mislead French researchers.


Have a nice Xmas,

Carlos da Fonte
Derek Howard
2014-12-22 16:42:43 UTC
Permalink
Post by portingal
####### CDF says: One of the reasons is that Armorica didn't derive into Breizh or even Brittany whereas Le Mans derives from Cenomanum.
And so? I have shown Armorica was an term used in chivalraic literature when heraldry was developing. It did not need to have evolved to something else.
Post by portingal
(DH) As for you comment above at c), this shows the failure of your system. We do not 'know' there are three blue diapers at all. In fact I have shown that the opposite is true, there are no blue diapers for the term is a typo in the mid-19th century for a different term in use from the 18th century (itself most probably again a typo). But in any case, I asked you to explain your suggestion relating to "elderberry wine stains". You have chosen, again, not to do so and it is clear that asking further is a waste of time. We are left to draw our own conclusions.
####### CDF says: There is no royal road for Heraldry.
What is this intended to mean?
Post by portingal
####### CDF says: So, I see that you don't agree with D.C. Boulger. As you probably know, the word "capital" is a modern development. Deriving from the Latin word caput/capitis, which later referred the head of a territory, which could derive from the main residence of the Counts/Dukes, its importance/size as a city, the place of crowning, the tradition of being an ancient siege of power (the case of Louvain), etc. But I am not closed to suggestions and eventually I could check your proposal of Brussels as the capital of Brabant whenever I'm convinced this is a historically sound fact.
It is not my proposal but that of the author who I cited, and who in turn cited original archive material, and whose credentials I gave. I am surprised at your reluctance to admit that that position has weight. The caput of a feudal estate (including a county or duchy) could only be one place and not several with different criteria.
Post by portingal
####### CDF says: Quite frankly, these multiple possibilities you've mentioned seems to me more like a complete disorientation and lack of method, which will never lead anywhere.
That is my point. On the surviving evidence there are many theories. They are just that - theories. Or educated guesses. They can never be tested and shown to be true or false. Several may have been in play as influences to any one or more of the lion shields around from that time, and there are several other possibilities also. You seem to want method and that it should lead somewhere. In other words you wish one theory to predominate over all the others because of your method. I would suggest that this is simply not possible.
Post by portingal
####### CDF says: It is clear to me that blazons aren't (fundamentally) symbols at their creation, only afterwards; I was then mainly interested in their inception. This doesn't mean that symbols can't be used auxiliary.
That is very disputable. (Strictly the blazon is a description of an emblazonment and appears usually to have followed the emblazonment - it is often possible to blazon a design in several ways. However, I do not think this is the meaning of blazon you intend here). Some were from the first obvious cants illustrating a name, others a reference to some sort to location, history, feudal superior, friends, family and allies, but some others appear to have been from the accident of shield structure. Yet others were perhaps the aesthetic pleasure of the first bearer or, perhaps, of a grantor.
Post by portingal
####### CDF says: This is just an opinion of De Boos and it concurs with mine. The difference is that he thinks the "brisure" appears because he was a princely cleric, according to you (Was he? And was allowed to marry? Isn't it just a misinterpretation of the late nickname Mauclerc?), whereas I say it's because of his marriage to the Duchess of Brittany (higher in social rank than him, a second son of a count). But, of course, if you can show me a representation of these arms before he was married I am ready to change my opinion ...
Again a ridiculous position. It is _you_ who claim the ermine canton derives from the Duchess of Brittany but without giving any evidence and in the face of clear statements to the contrary by French authorities who have studied the matter. The authorities may be wrong but it is down to you to provide evidence to counter them, not me. I have already given a few indications why I think that your proposal is most unlikely.
Post by portingal
####### CDF says: I prefer to be aside my Britton friends who think Breizh (Brittany) is the reason behind the ermine spots (Brizh). I was unaware of that, thou, when the thesis was published. They should know a lot more about the Britton language than me and maybe even more than Pastoureau.
Have you considered that their position may be just what you attacked earlier - symbolism derived after the fact rather than before it?
Post by portingal
####### CDF says: "Il est interdit de cracher sur le sol et parler breton" was written at some western French trains stations not a long time ago.
Not so. This is a modern urban myth. (see some discussion at http://fr.wikipedia.org/wiki/Discussion:Occitan/Archive1 ). I remember when I was growing up in Paris in the 1950s there were signs forbidding spitting in trains - but the reference to language has been manufactured recently for effect.
Post by portingal
Yes, Britton was well used in the Middle Ages, but forbidden.
Breton was _not_ forbidden in the Middle Ages! There were some local education authorities who forbade the use of Breton or patois in the playground in the mid-19th century - they were trying to ensure good French was learned by all at school - but it was never forbidden generally.
Post by portingal
You say that it wasn't used for blazons but I see it as a consequence of this forced oblivion that possibly mislead French researchers.
There was no such forced oblivion. Perhaps you have been mislead?
Post by portingal
Have a nice Xmas,
And to you and anyone else reading as far as this!

Derek Howard

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